JOANNE LAWS SPEAKS TO JOHN HUTCHINSON ABOUT HIS 25-YEAR DIRECTORSHIP OF THE DOUGLAS HYDE GALLERY.
Joanne Laws: Your vast contribution to the Irish visual arts is fondly conveyed in a series of thoughts, reflections and tributes by artists, colleagues and friends. How do you feel about these comments?
John Hutchinson: I found it a very strange experience. It felt a bit like reading my own obituary. But by and large they were lovely and very generous. Michael [Hill] and Rachel[McIntyre] put them together with a lot of work and I’m very touched and grateful for all their efforts.
Continue reading “A Sense of Stillness”
JOANNE LAWS INTERVIEWS ALISTAIR HUSDON, DIRECTOR OF MIMA AND CO-DIRECTOR OF ARTE ÚTIL.
In 2014, Alistair Hudson was appointed director of Middlesbrough Institute of Modern Art (mima), part of Teesside University. From 2004 to 2014, Alistair was deputy director of Grizedale Arts – a contemporary arts residency and commissioning agency in the central Lake District in rural Northern England. In keeping with the principles of Arte Útil, mima describes itself as a ‘useful’ museum, established through ‘usership’ rather than spectatorship.
Continue reading “1:1 Scale”
We work exceptionally hard in the arts. Whether working day in, day out in studios, travelling the length and breadth of the country, grant-chasing, freelancing or maintaining real jobs at the fringes of day jobs, we move mountains every day. While critical reflection is an inbuilt methodology of what we do, how often do we actually pause to reflect on our progress or marvel at our achievements? As the final Visual Artists’ News Sheet of the year, this issue is positioned to consider recent developments across our sector, while assessing some of the challenges that remain.
Continue reading “The Proximity of History”
JOANNE LAWS INTERVIEWS SARAH BROWNE AND JESSE JONES ABOUT THEIR ONGOING PROJECT ‘IN THE SHADOW OF THE STATE’.
Joanne Laws: Perhaps you might explain how your collaboration came about and introduce some of your initial ideas in developing this major new project?
Sarah Browne/Jesse Jones: We’d known each other’s practices for many years and felt that at some stage we would find the right opportunity to work together. In 2014, we started discussing a potential collaboration with Patrick Fox (then Director of Create), and later Rachel Anderson (then producer/curator at Artangel, London). We attempted to identify the greatest urgencies for us as artists at that time and felt there was a renewed need to examine and refigure the position of women in relation to a patriarchal nation state. From the beginning of our work together, law and its instruments have been a critical focus. The Irish Sea also loomed large in our imagination.
Continue reading “Towards a Post -Patriarchal State”
JOANNE LAWS INTERVIEWS ANDREW DUGGAN ABOUT ‘PROCLAMATION’, A MULTI-VENUE EXHBITION FUNDED BY CULTURE IRELAND.
Two neon signs in a field
A public act
‘It Only Remains’ (into the night)
(out of the dawn) ‘Until Such Time’
Explicit or evocative, for discourse or meditation
A spell to conjure a desired state of affairs
A declaration that a state of affairs pertains
Sounds: between crying and sighing
Continue reading “Do We Live in History?”