The closing event for ‘Eva 2016: Still (the) Barbarians’ was the culmination of one the most well received Eva exhibitions in recent years. Reflecting the scope and complexity of the biennial itself, the presentations and discussions were diverse and ambitious, representing a range of both Irish and international offerings on postcolonial discourse. Curator Koyo Kouoh began by introducing Alan Phelan’s “counterfactual” film Our Kind (2016), which imagines a future for Roger Casement had he not been executed in 1916.
David Lunney, Eight Gallery, Dublin, 29 January–7 February 2016
Eight Gallery is housed in a large room on the first floor of a Georgian mansion on Dawson Street. Natural light enters through the grimy panes of three tall sash windows overlooking the street. A redundant chandelier shines weakly from the ceiling rose. Things Made for Drawing is a small, formally cohesive show, its eight works placed sparingly around the jaded but elegant room. There are six wall works in two sets of three, their titles, Three Rock and Kilmashogue, referring to well-known locations in the Dublin Mountains. Each of these sets has a causal connection to one of the two remaining works, a pair of squat, jerrybuilt structures standing apart on the grey painted floor.