Push and Pull

RHA Ashford Gallery, Dublin, 19 January – 11 February 2018

In a TED talk entitled ‘How architecture helped music evolve’, the musician David Byrne (of Talking Heads fame) suggested that the relationship between architecture and music is directly formative. Byrne argued that the spatial and architectural features of a venue specifically influence the sonic and acoustic characters of the music performed there. In other words, American punk band, Black Flag, are to the small hardcore club what AC/DC are to the open-air area. If we imagine visual art to be engaged in a similarly formative relationship with its venues of display, it is interesting to consider whether Niall de Buitléar’s exhibition, ‘Push and Pull’, is specifically informed by the spatial particulars of its host venue, the RHA Ashford Gallery. According to the press release, Byrne’s attempts to “create [musical] compositions that were multi-layered and non-hierarchal” influenced de Buitléar’s work. Comprising 14 paintings and a small sculpture, the exhibition celebrates, with a calm but persistent rigour, the formative logic of interior worlds and the differences that emerge through formal repetition. Continue reading “Push and Pull”

Amharc Fhine Gall 11th Edition

Draíocht Arts Centre, 22 November 2017 – 3 February 2018

In Yvonne McGuinness’s two-channel film installation, Holding ground where the wood lands (2017) – commissioned for this year’s ‘Amharc Fhine Gall (Fingal Gaze)’ exhibition – a group of adolescents from a local Foróige club are depicted meandering through open fields and woodlands surrounding the former Plunkett Estate in Portmarnock (now Malahide Golf Club). Centred around a pivotal and formative time in their lives, the film fluctuates between documentary film and directed theatrics and depicts the young men engaged in a series of performative actions. Continue reading “Amharc Fhine Gall 11th Edition”