Exile & Perception

CURATOR SANDRA KRIŽIĆ ROBAN TALKS TO DRAGANA JURIŠIĆ ABOUT HER BOOK YU: THE LOST COUNTRY, AND HOW THE ARTIST’S PERSONAL HISTORY AS AN EXILE DETERMINES HER WORK AND HER PERCEPTION OF THE WORLD.

Sandra Križić Roban: In the last couple of years we have witnessed a surge in the number of publications and research works that deal with the former Yugoslavia. While some focus on the legacy of post-war modernism, and others on the post-1990s period and the social divisions that transpired as a result, there are also a significant number that deal with the writer’s own family history and the pursuit of identity. I want to know about how you came to do it. Why is heritage important to you? What have you found out about yourself during this research, and how did you perceive your own family? Did anything change from the things you already knew?

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Advocacy Leads to Results

DIRECTOR/CEO NOEL KELLY DISCUSSES VAI’S RECENT ADVOCACY WORK IN SEVERAL AREAS AND DETAILS HOW THE ORGANISATION WILL BE MOVING FORWARD IN RESPONSE TO RECENT CONCERNS ABOUT POLICY AND FUNDING FOR THE ARTS IN IRELAND.

The arts are back in the news. Every change in government and lead up to a new budget brings with it a renewed expression of the sector’s importance and need for support. It would appear that memories are short, as it seems necessary to repeat the same arguments each time and often to find new ways to express them, as the media become more and more hungry for what is new. In reality, our statements are reiterating the same thing.

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AlterRurality

DOMINIC STEVENS (DUBLIN SCHOOL OF ARCHITECTURE, DIT) AND SOPHIA MEERE (LANDSCAPE ARCHITECTURE, UCD) DISCUSS THE ‘FIELDWORK LETTERFRACK 2016: ALTER-RURALITY’ CONFERENCE, WHICH THEY RAN 6 – 9 JUNE IN RURAL CONNEMARA.

What starts to happen when artists, architects, landscape architects, farmers, practitioners and researchers from all around Europe meet to discuss rural life? This June, in Letterfrack, Connemara, an event was held to find out. Three Irish universities (University College Dublin, Dublin Institute of Technology and Galway Mayo Institute of Technology) gathered together 65 researchers, practitioners, teachers and advisors, all engaged with rural life and interested in its future, from 30 different organisations and 10 different countries, for exchange of ideas and experience.

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Trading Places for a Fair Land

JANICE HOUGH OF IMMA INTRODUCES THEIR COLLABORATIVE PROJECT ‘A FAIR LAND’, WITH GRIZEDALE ARTS, BASED IN THE LAKE DISTRICT.

On the first outing to Grizedale Arts in spring of last year, Helen O’Donoghue (Head of Engagement and Learning at IMMA) and I found ourselves driving the entire circumference of the Lake District. After four hours of driving, which should have taken two, we were barely holding it together in the car as darkness fell over the rural pastures of Cumbria. Our failure to locate this peripheral centre led us to discover that there were two Grizedale Arts here. The one we were looking for was in Lawson Park and of course we had followed the prominent signage for the wrong one. After a wrong turn going up the mountain and the squelchy softening of the terrain under the wheels of the car, we reluctantly made the phone call to Adam Sutherland (Director of Grizedale) to assist us back down a dirt track teetering on the edge of a mountain. After this death defying stunt we were warmly welcomed and presented with some of Grizedale’s many culinary delights to help us recover from the ordeal.

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Situated in the Present

LINDA SHEVLIN DISCUSSES M12’S (USA) WORK WITH ITS FOUNDER AND DIRECTOR, RICHARD SAXTON.

Linda Shevlin: Richard, since spending some time in September 2015 at M12’s base, The Feed Store, in Byers, Colorado, I’ve been curious about your relationship as a collective, not just to your surrounding community, but to the wider rural art community. Has this fixed, rural base intrinsically influenced the projects you undertake or do you harbour more nomadic tendencies in your methodology?

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