DOMINIC STEVENS (DUBLIN SCHOOL OF ARCHITECTURE, DIT) AND SOPHIA MEERE (LANDSCAPE ARCHITECTURE, UCD) DISCUSS THE ‘FIELDWORK LETTERFRACK 2016: ALTER-RURALITY’ CONFERENCE, WHICH THEY RAN 6 – 9 JUNE IN RURAL CONNEMARA.
What starts to happen when artists, architects, landscape architects, farmers, practitioners and researchers from all around Europe meet to discuss rural life? This June, in Letterfrack, Connemara, an event was held to find out. Three Irish universities (University College Dublin, Dublin Institute of Technology and Galway Mayo Institute of Technology) gathered together 65 researchers, practitioners, teachers and advisors, all engaged with rural life and interested in its future, from 30 different organisations and 10 different countries, for exchange of ideas and experience.
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EMMA DWAN O’REILLY REPORTS ON ‘THE VALUE OF CRITICISM’ SYMPOSIUM, WHICH TOOK PLACE AT THE LEWIS GLUCKMAN GALLERY, CORK, ON 26 FEBRUARY 2016[i]
In Ireland, practices of art criticism have continued to develop in a changing landscape. Although things remain unsettled with regards to establishing publications and securing funding, there exists a vibrant energy around writing on art in Ireland in recent years. New publications, writers and editors have emerged with fresh initiatives and ideas, and there has been an increased interest in developing new spaces, publishing platforms and audiences, and in cultivating alternative approaches to writing about art.
‘The Value of Criticism’ symposium examined the role of art criticism and the critic in determining both the historical and economic value of art. The role of the critic in the changing landscape of art criticism and publishing was also explored, with particular focus on how writers, editors, curators and broadcasters approach and evaluate their subjects and influence public understanding and appreciation of art.
Continue reading “Re-Interrogating Criticism”