The Game Has Changed

This column was originally published in the January/February 2011 issue of the Visual Artists’ News Sheet.

In my column for this publication a few months ago, I called for a new negativity, in the spirit of Herbert Marcuse’s claim that the proper function of art was to be a “Great Refusal”. What better answer could I get than the massive ‘NO’ painted on the grass of Parliament Square in London during one of the recent series of protests against government cuts in the UK? Only four weeks ago, this kind of negativity still seemed to be only a distant possibility in a place like the UK. When, at a conference on public art and civility organised by SKOR in Amsterdam at the end of October, I suggested that there would soon be expressions of massive public anger in the UK, some of the UK-based delegates were sceptical, accusing me of “revolutionary nostalgia”. I was confident that they were being unduly dismissive – but I still didn’t anticipate the scale of the recent protests.

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