WITH NEWLY COMMISSIONED WORK FOR EVA INTERNATIONAL 2018 ON THE HORIZON, MATT PACKER SITS DOWN WITH JOHN RAINEY TO DISCUSS THE TRAJECTORY OF HIS SCULPTURAL PRACTICE.
Matt Packer: Can you describe how your background in the medium of ceramics continues to inform your work?
John Rainey: Production and imitation are aspects of the ceramic discipline that continue to be particularly important within my work. However, my curiosity about how things are made, and my compulsion to physically produce things, predates my training in ceramics. For me, processes and skills feel very enabling. I have a need to constantly examine and improve on this technical capacity, which is what drives me forward. My interest in materials has always been broad, but I see my experience in ceramics as a good anchoring point that I can deviate from and return to. In a similar way to how people describe the process of learning languages, I think that my understanding of this material allows me to easily adopt novel materials. Continue reading “Material Uncertainty”