Highlanes Gallery and Droichead Arts Centre, Drogheda, 24 April – 21 June 2017
For Vitruvius,  successful architecture combined “firmness” (structural integrity), “commodity” (function) and “delight” (aesthetic pleasure). While these remain core requirements, contemporary conceptions of the discipline tend to be more fluid. ‘This is Not Architecture’, a two-site group exhibition in Drogheda, animates thinking around the nature of its subject, probing its conventions through considerations of similarity and difference. Curated by Highlanes director Aoife Ruane, the exercise is enhanced by the contextualising environment of the gallery, located in a repurposed Franciscan church. Built in 1829, it combines stained-glass windows, gothic arches, cast-iron columns, a marble altar with late Celtic Revival tabernacle door, and new, unobtrusive glass balustrades. The exhibition sensitises visitors to this blend of features, which activate connections across the works.
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SUSAN MACWILLIAM DISCUSSES HER TOURING SURVEY EXHIBITION ‘MODERN EXPERIMENTS’, WHICH WILL HAVE SHOWN AT F.E. MCWILLIAM GALLERY, THE HIGHLANES GALLERY, UILLIN: WEST CORK ARTS CENTRE AND THE BUTLER GALLERY BY THE END OF 2017.
It’s a strange experience when works come back after an absence, materialising from their coffin-like crates or emerging into the light after a decade or more in darkness and obscurity.
A survey show feels like a form of mediumship. Past worlds collide in the present. These worlds are made by me, fabricated in the studio by different versions of myself at different stages of my life. Some works ‘know’ other works, while others meet for the first time – converging like a gathering of relatives, mapping their family tree with regurgitated connectedness. The ancestors are here, having paved the way for descendants and works born of others. Having multiplied, they gather: siblings, cousins, great grandparents, aunts and uncles. Some are more assertive and demanding, while others lurk quietly in corners. Some take longer to get to know yet persist and linger.
Continue reading “A Séance of Objects & Images”