Gut Instinct: Art, food & feeling

Marina Abramovic, Sonja Alhäuser, Domestic Godless, Elif Erkan, Fiona Hallinan, Siobhan McGibbon, Abigail O’Brien, Thomas Rentmeister, Neil Shawcross, Glucksman Gallery, Cork, 25 November 2016 – 19 March 2017

THIS exhibition, curated by Professor John Cryan, Chris Clarke and Fiona Kearney, draws on research by Cryan and colleagues at the Anatomy and Neuroscience department of UCC, in order to “explore how digestion relates to our mental and emotional states”.

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Guest 2

Alice Burns, Charissa Martin, Elaine McGinn, George Robb, Paula Clarke, Stephanie Harrison, Arts and Disability Forum, Belfast, 2 – 22 January 2017

The work of six recipients of the Arts Council of Northern Ireland’s Individual Disabled/Deaf Artists (iDA) grant scheme comes together in ‘Guest 2’, a thought-provoking and challenging exhibition curated by artist Colin Darke at the Arts and Disability Forum Gallery. The exhibition space on Belfast’s Royal Avenue is modest but well-executed, benefitting from large windows and glass walls, which flood the space with natural daylight and create an attractive setting in which to consider the work of this diverse range of artists, whose practices encompass printmaking, photography, glasswork, video and performance.

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An Afterwards

Mark Garry, Luan Gallery, Athlone, 11 February – 22 April 2017

The Luan Gallery appears to float over the River Shannon like a perfectly formed geometric ice block. The site and architecture of the building allude to fusion between natural and environmental conditions – concerns that are further elaborated in Mark Garry’s ‘An Afterwards’, currently installed across the Luan’s gracious exhibition spaces.

A native of County Westmeath, Garry often spent time in Athlone as a child, and this exhibition presents new works that attempt to forge connections between kinship and place. The cool intensity of Garry’s diverse body of work – which includes lithographs, oil paintings, video and Giclée digital prints – is given nuance by the nostalgic inclusion of (admittedly excellent) amateur artworks by his parents. This intimate familial gesture also functions to support a Beuysian assertion that everyone is an artist.

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Glow: Variations on a Theme

Tom Climent, Eamon Colman, William Crozier, Neal Greig, Eilís O’Connell, Peter Martin, James McCreary, Michael Ray, Conor Walton, Catherine Hammond Gallery, Skibbereen, County Cork, 9 September – 19 October    

The stated aim of this group exhibition was to explore and interpret the idea and theme ‘Glow’, visually echoing the shift from late summer into autumn, whether experienced as a continuous radiant beam from a light source, the result of energy produced by vibrating electric colours or, contrastingly, through the gentle light of changing luminosity.

Eamon Colman’s two large oils on paper, Seeking refuge, the green earth turned towards the river and Morning swim by the Sultan’s tower introduce a strong warm presence at the front of the gallery with their swathes of expressionistic colour and addictive energy. Referencing landscape, they can be read equally as abstract gesture.

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