Texture of a Medium

ALISON PILKINGTON LOOKS AT CURRENT PRACTICES IN IRISH ABSTRACT PAINTING.

“We are all at present, far more divided, less empowered and certainly far less connected to the effects of our world than we should be. It is for this reason that I am deeply involved in the texture of a medium capable of universalizing so much lost intimacy.” 1

The term ‘abstract painting’ is historical and, over time, the parameters of the genre seem to have collapsed. It could be argued that to write about abstract painting as if it were a genre that has some significant position within contemporary art, might be a somewhat redundant inquiry. The term itself has been debated and contested throughout the history of twentieth century art, with the traditional meaning of abstraction shifting considerably. To say that ‘abstract painting is alive and well’ in current Irish painting practices also seems an outmoded way of summarising what painters do with their material and medium. As described by Briony Fer in her book, On Abstract Art: “As a label, abstract art is on the one hand too all inclusive: it covers a diversity of art and different historical movements that really hold nothing in common except a refusal to figure objects.”2

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Futures: Series 3, Episode 1

Richard Forrest, Kevin Gaffney, Ann Maria Healy, Elaine Hoey, Ali Kirby, Jane Locke, Jane Rainey, RHA, Dublin, 17 March – 23 April

‘FUTURES’ is a series of exhibitions at the Royal Hibernian Academy (RHA) that shows the work of emerging artists. ‘Futures, Series 3, Episode 1’ is one of the most engaging exhibitions in recent years. The show takes us on a journey from the past to the present and far into the future.

Jane Rainey is a painter whose subjects are abstract, yet vaguely familiar. From afar, her paintings look like distorted digital landscapes. Up close, they are thick with paint. Colours are mixed together on the canvas, resembling a damaged digital image with streaks running through it. But unlike digital images, they are handmade. They show the physical process of painting. These are paintings that want to be touched.

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