Memory Needs a Landscape

Taylor Galleries, Dublin, 5 –  27 May 2017

The relationship between rural Irish communities and the land is both pragmatic and poetic, played out through intimacy with its anatomy: fields, hedgerows, rights of way and historical provenance. Bernadette Kiely’s approach to landscape painting mines these psychological and physiological relationships as a site of labour, ownership and heritage. Traditional landscape painting tends to depict scenic views at the beginning or the end of the day, when people are absent and it is transformed into a form of poetry. For Kiely, daily labour provides inspiration in paintings that chronicle the cycle of farming life. In her recent exhibition, ‘Memory Needs a Landscape’, her subject is challenged by the most uncompromising grey shroud of a damp winter, which has encouraged an expansion in her stylistic range, evident in the inclusion of more abstracted and conceptually-based monotypes and more folkish and mystical paintings. Continue reading “Memory Needs a Landscape”

Artistic Migration: Frank O’Meara & Irish Artists Abroad

Dublin City Gallery, The Hugh Lane, 13 February – 11 June 2017

SARI: Subject. Aspect. Restrictions. Instructions. This useful acronym, which I recommend students to use when analysing an essay title or exam question, came to mind when reflecting on the exhibition currently on display in the Hugh Lane, the title of which is ‘Artistic Migration: Frank O’Meara and Irish Artists Abroad’. [1]

Applying the first part of this analysis (S and A) to the title of the exhibition, we find that the subject – what it is about – is ‘Artistic Migration’, and the aspect – the narrower theme, the particulars of what it is about – is ‘Frank O’Meara and Irish Artists Abroad’. If this were the title of an essay, I would expect initially to be provided with a definition and discussion of artistic migration in which the following questions might be explored. What is meant by migration? Does it imply living abroad, or merely travelling overseas for extended periods? Does artistic migration mean the movement of artists in one direction only, or is there also a suggestion of exchange?

Continue reading “Artistic Migration: Frank O’Meara & Irish Artists Abroad”