International Ireland

Ulster Museum, Belfast, 10 February – 3 September 2017

There’s an implicit understanding of the museum’s finite resources and loaded remit when viewing a permanent collection show. The limited pool from which these exhibitions are curated often leads to a loose circle being drawn around the works, its content used to simultaneously demonstrate and educate. It becomes a balance of signposting and illustrating, where singular artworks are laden with significance, denoting the development of an artist’s full career or even those of their peers. When seen repeatedly in different configurations, pieces can easily be experienced as historical artefacts rather than artworks.

The spectrum of contact an audience will have with a permanent collection is huge, yet heightened exposure to works does no favours for broad exhibition making. The influence of international art and modernism on Irish work is such an all-encompassing premise that I struggled to experience this exhibition distinctly from past and even surrounding shows. If previously unseen by a viewer, it would still be difficult for 31 works to ‘fulfil’ the vast reach of the exhibition’s title. Instead they become like stills representative of an unknown, feature-length film: not demonstrative but signalling something that could be more thoroughly explored, should you be so inclined. Continue reading “International Ireland”

Artistic Migration: Frank O’Meara & Irish Artists Abroad

Dublin City Gallery, The Hugh Lane, 13 February – 11 June 2017

SARI: Subject. Aspect. Restrictions. Instructions. This useful acronym, which I recommend students to use when analysing an essay title or exam question, came to mind when reflecting on the exhibition currently on display in the Hugh Lane, the title of which is ‘Artistic Migration: Frank O’Meara and Irish Artists Abroad’. [1]

Applying the first part of this analysis (S and A) to the title of the exhibition, we find that the subject – what it is about – is ‘Artistic Migration’, and the aspect – the narrower theme, the particulars of what it is about – is ‘Frank O’Meara and Irish Artists Abroad’. If this were the title of an essay, I would expect initially to be provided with a definition and discussion of artistic migration in which the following questions might be explored. What is meant by migration? Does it imply living abroad, or merely travelling overseas for extended periods? Does artistic migration mean the movement of artists in one direction only, or is there also a suggestion of exchange?

Continue reading “Artistic Migration: Frank O’Meara & Irish Artists Abroad”