Kevin Kavanagh Gallery, Dublin, 1 June – 1 July 2017
Let me begin by confessing something: over the course of the last two years, I have interviewed Diana Copperwhite twice on camera. During those conversations, we barely touched upon the formalist ‘whats?’ of her paintings in an effort to avoid muddy dialogue. The filmed conversations were more centred around the general ‘whys?’ of painting and the painter, the nature and nurture of it all; painting as a verb rather than a noun.
When I was asked to write a review of Copperwhite’s solo show, ‘Crooked Orbit’, at Kevin Kavanagh Gallery – which meant confronting the ‘whats?’ head on – I tossed and turned before accepting the invitation. What I discovered was that knowing the ‘whys?’ can colour your vision. But before we go there, first a description. (Note: I will not be doing an obligatory round-robin description of each and every painting in the gallery because when you describe one of Copperwhite’s paintings, you describe them all. Sounds harsh – a premature critique before the window dressing – but this is the case for most solo presentations of painting that lean on the side of abstraction. Painting like this defeats description). Continue reading “Crooked Orbit”