Black & White

Butler Gallery, Kilkenny, 13 January – 25 February 2018

Does a ‘feminine aesthetic’ exist? It’s a divisive hypothesis (and a possibly unanswerable question) that came to mind upon viewing Jane O’Malley’s exhibition, ‘Black & White’, at the Butler Gallery. The fifty pieces shown included several etchings and aquatint prints, as well as sketches in an array of media, including chalk, Conté crayon, pastel, oil, pen and ink. As the title implies, this body of work is monochromatic, although a couple of pieces display slight intrusions of yellow. O’Malley’s ease with her wide range of media is immediately apparent. Lines are loose, fluid and used sparingly but effectively. There is a pleasing juxtaposition of sparse details – a simple outline suffices to suggest a jug, a straw, a bowl of cherries – with repetition used to add substance and pattern, as in the fields and flora of her Chinese brush drawings. O’Malley also has numerous techniques in her repertoire; these include uninterrupted fine line, scratching and removing marks. In At Michael Joe’s with Bob Quinn the Dog, 1984, she achieves an extraordinary luminosity in her rendering of the pots, bottles and jugs, through a combination of such techniques. Continue reading “Black & White”

Artistic Migration: Frank O’Meara & Irish Artists Abroad

Dublin City Gallery, The Hugh Lane, 13 February – 11 June 2017

SARI: Subject. Aspect. Restrictions. Instructions. This useful acronym, which I recommend students to use when analysing an essay title or exam question, came to mind when reflecting on the exhibition currently on display in the Hugh Lane, the title of which is ‘Artistic Migration: Frank O’Meara and Irish Artists Abroad’. [1]

Applying the first part of this analysis (S and A) to the title of the exhibition, we find that the subject – what it is about – is ‘Artistic Migration’, and the aspect – the narrower theme, the particulars of what it is about – is ‘Frank O’Meara and Irish Artists Abroad’. If this were the title of an essay, I would expect initially to be provided with a definition and discussion of artistic migration in which the following questions might be explored. What is meant by migration? Does it imply living abroad, or merely travelling overseas for extended periods? Does artistic migration mean the movement of artists in one direction only, or is there also a suggestion of exchange?

Continue reading “Artistic Migration: Frank O’Meara & Irish Artists Abroad”