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Posts by: Alison Pilkington

The Living and the Dead

Temple Bar Gallery and Studios, Dublin, 15 April – 17 June 2017 The American street photographer Gary Winogrand said of his work: “I photograph to see what the world looks like in a photograph”. I thought of Winogrand and of this quote when visiting Mark Swords’s exhibition, ‘The Living and the Dead’, at Temple Bar Gallery and Studios (TBG + S), as it could be said that Swords paints pictures to see what his world looks like through painting. Swords uses his everyday life as his inspiration for the show. The paintings are about things that surround him, “things that are consciously or unconsciously always present”.  Drawing on daily observations,

Texture of a Medium

ALISON PILKINGTON LOOKS AT CURRENT PRACTICES IN IRISH ABSTRACT PAINTING. “We are all at present, far more divided, less empowered and certainly far less connected to the effects of our world than we should be. It is for this reason that I am deeply involved in the texture of a medium capable of universalizing so much lost intimacy.” 1 The term ‘abstract painting’ is historical and, over time, the parameters of the genre seem to have collapsed. It could be argued that to write about abstract painting as if it were a genre that has some significant position within contemporary art, might be a somewhat redundant inquiry. The term itself