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Posts by: Padraic E. Moore

What We Do in the Shadows

Almine Rech Gallery, Brussels , 3 June – 29 July When J.K. Huysmans’s Á Rebours (Against Nature) was published in 1884, it was embraced immediately as epitomising the decadent movement in art and literature. The protagonist of this literary gem is the Duc des Esseintes, an aristocratic aesthete who withdraws from society into a self-made sanctuary of aesthetic beauty. Finding daylight unbearably shrill, the jaded, misanthropic Duc lives by night, staving off crushing ennui by spending all his time and money on obscure, extreme and perverted pursuits. The crepuscular world of Á Rebours came to mind repeatedly as I viewed ‘What We Do in the Shadows’, an exhibition at Almine

University of the World

PÁDRAIC E. MOORE INTERVIEWS VIVIENNE DICK ABOUT HER FRIENDSHIP WITH NAN GOLDIN AND THEIR CURRENT EXHIBITIONS AT IMMA. Pádraic E. Moore: Your exhibition ‘93% STARDUST’ runs concurrently with Nan Goldin’s ‘Weekend Plans’ at the Irish Museum of Modern Art (IMMA). Perhaps we can discuss the milieu yourself and Nan once shared and the parallels between your work? Vivienne Dick: I met Nan just after she arrived in New York. We hung out together throughout my time in the city and shared several interests, particularly music. There are parallels in our early work – we were always aware of that, even at the time. We were tuned into each other’s aesthetic

Beyond Matter: Phantasmagoric Fluid

PÁDRAIC E. MOORE DISCUSSES ‘ECTOPLASM’, AN EVENT HE INITIATED AT 1646 PROJECT SPACE LOCATED IN THE HAGUE, THE NETHERLANDS. ‘Ectoplasm’ was a one-off, nocturnal event hosted by 1646, a project space in the centre of The Hague. The event, which comprised performances, screenings, participatory actions, readings and physical objects, was the culmination of a curatorial residency I undertook at 1646 in 2015. In addition to a programme of exhibitions, 1646 hosts artists talks, screenings, lectures and events, providing a platform for experimental art practices as well as short-term residencies for foreign artists and curators. The residency provides participants with both a working studio and living space. I was delighted to spend