The Molesworth Gallery, Dublin 1 – 24 February 2018 The title of Shane Berkery’s latest exhibition imparts little more than an implied focus on recent work, spotlighting where he is in his developing career through paintings that reflect his influences and interests. Dublin-based with Irish-Japanese parentage, Berkery eschews an overtly conceptual approach to his practice, and so may also be commenting on what contemporary art can be. The 11 canvases fall into two broad groupings, one with images of young ‘contemporary’ subjects, the other drawing on black and white photos relating to his Japanese heritage. Dating from the 1950s and ‘60s, these are characterised by informal poses and the clothing
Posts by: Susan Campbell
Highlanes Gallery and Droichead Arts Centre, Drogheda, 24 April – 21 June 2017 For Vitruvius,  successful architecture combined “firmness” (structural integrity), “commodity” (function) and “delight” (aesthetic pleasure). While these remain core requirements, contemporary conceptions of the discipline tend to be more fluid. ‘This is Not Architecture’, a two-site group exhibition in Drogheda, animates thinking around the nature of its subject, probing its conventions through considerations of similarity and difference. Curated by Highlanes director Aoife Ruane, the exercise is enhanced by the contextualising environment of the gallery, located in a repurposed Franciscan church. Built in 1829, it combines stained-glass windows, gothic arches, cast-iron columns, a marble altar with late Celtic Revival tabernacle door,
Robert Kelly, Draoícht, Blanchardstown, 24 September – 19 November Robert Kelly is a print-maker whose appetite for exploration takes his work from the flat surface into three-dimensional space. In his latest exhibition, this space is the ground-floor gallery at Draoícht, where some works are conventionally framed while others emerge and expand to more fully occupy the architecture. This choreography leads the viewer on an unfolding visual journey, underpinned by thought and process. The artworks also feature material folds, which manipulate internal spatial relations and introduce conceal-and-reveal dynamics.