CHRIS HAYES, CO-DIRECTOR OF ORMSTON HOUSE, LIMERICK, DISCUSSES THE TRIALS AND TRIBULATIONS OF ARTIST-LED PRACTICE AS AN INSIDER. Sample-Studios is an artist-run space in Cork. To celebrate its fifth birthday Artistic Director, Aideen Quirke, organised a three-day festival of events. As part of the festivities a panel discussion titled ‘Artist-Led Island’ tackled the topic of artist-led spaces in Ireland. The panel included Moran Been-Noon from Platform Arts Belfast, Lisa Crowne from A4 Sounds in Dublin, David Dobz O’Brien from the National Sculpture Factory in Cork, Gavin Murphy from Pallas Projects in Dublin, Shelly McDonnell, Communications and Advocacy Assistant at VAI, and myself, representing Ormston House in Limerick.
How is it Made?
JENNIFER TROUTON DISCUSSES THE PROCESS BEHIND HER WORK ‘THE TIES THAT BIND’, WHICH WAS SHOWN AT THE ROYAL ULSTER ACADEMY’S 134TH ANNUAL EXHIBITION (16 OCTOBER 2015 – 3 JANUARY 2016). My painting The Ties That Bind has its roots in the 1700s and the patriarchal mindset of the founding president of the Royal Academy of Arts, Sir Joshua Reynolds. In a sweeping generalisation, Reynolds decreed: “Let men busy themselves with all that has to do with great art . . . let women occupy themselves with those kinds of art that they have always preferred, the painting of flowers”. This statement, and the attitude toward still-life painting that it evokes,