CHRIS HAYES DISCUSSES THE EVOLUTION OF ‘PERIODICAL REVIEW’ – A LONG-RUNNING CURATORIAL PROJECT BY PALLAS PROJECTS/STUDIOS. To write about the Periodical Review – an annual exhibition, now in its seventh iteration – is to repeat and confront the curatorial project’s own questions and provocations. Hosted, organised and partially curated by the not-for-profit artist-run space, Pallas Projects/Studios in Dublin, Periodical Review aims to enliven the practice of contemporary exhibition-making by reimaging the gallery space as a magazine. The exhibition title, in itself, echoes this publishing endeavour, suggesting something occurring at regular intervals. Periodical Review offers a unique opportunity to look back on the preceding year in Irish art, by showcasing artworks
ALAN PHELAN TALKS TO MARY CREMIN ABOUT HER NEW ROLE AS DIRECTOR OF VOID, DERRY. Odd as it sounds, there is something slightly Scandinavian about Derry. Maybe it’s post-conflict Northern Ireland and the almost socialist democratic prosperity that peace has brought to the region. Industry may not have taken off just yet, but public services appear to be well-funded. The abundance of cultural centres is also mirrored by a bemusing abundance of hair salons – something that is comparable with Helsinki. Perhaps the harsh northerly climate brings with it serious approaches to both art and hair care. Derry’s various galleries inhabit historic spaces, yet have a very contemporary outlook that
JOANNE LAWS INTERVIEWS ALISTAIR HUSDON, DIRECTOR OF MIMA AND CO-DIRECTOR OF ARTE ÚTIL. In 2014, Alistair Hudson was appointed director of Middlesbrough Institute of Modern Art (mima), part of Teesside University. From 2004 to 2014, Alistair was deputy director of Grizedale Arts – a contemporary arts residency and commissioning agency in the central Lake District in rural Northern England. In keeping with the principles of Arte Útil, mima describes itself as a ‘useful’ museum, established through ‘usership’ rather than spectatorship.
LINDA SHEVLIN DISCUSSES M12’S (USA) WORK WITH ITS FOUNDER AND DIRECTOR, RICHARD SAXTON. Linda Shevlin: Richard, since spending some time in September 2015 at M12’s base, The Feed Store, in Byers, Colorado, I’ve been curious about your relationship as a collective, not just to your surrounding community, but to the wider rural art community. Has this fixed, rural base intrinsically influenced the projects you undertake or do you harbour more nomadic tendencies in your methodology?