Category: Profiles

Publicness

MANUELA PACELLA INTERVIEWS PAUL O’NEILL ABOUT HIS CURATORIAL PRACTICE AND HIS ARTISTIC DIRECTORSHIP AT PUBLICS IN HELSINKI.

Manuela Pacella: Your practice is characterised by multiple overlapping interests. I agree with you that the definition of a ‘research-oriented curator’ can be quite reductive. You unify the various strands of your research as simply ‘the curatorial’ – what does this term mean for you?
Paul O’Neill: Many arguments in relation to ‘the curatorial’ were played out in discussions in the mid-2000s: Irit Rogoff talked about the curatorial as a ‘critical thought’ that does not rush to embody itself, rather it unravels over … Read the rest

A Painter’s Life

CHRISTINA MULLAN PROVIDES AN OVERVIEW OF THE STEPHEN MCKENNA RETROSPECTIVE AT VISUAL CARLOW. 

Writing on the notion of painting in 1994, Adrian Searle remarked that painting exhibitions are often classified as a “resurrection” of sorts. He argues that we need not consider these events in such a manner – that painting “is not a patient, it is not ill or dying, or in need of resuscitation. It is not convalescing, or in remission, reborn or revived. It needs no revivals: painting is not an old-time religion”.1 If anything can testify to this statement, it is the current retrospective exhibition, … Read the rest

Rock the Casbah

LILY CAHILL, WINNER OF THE VAI/DCC ART WRITING AWARD 2019, REVIEWS MICHELLE DOYLE’S SOLO EXHIBITION, ‘OBEDIENT CITY’, AT A4 SOUNDS GALLERY, DUBLIN.

I recently hosted a visiting American friend. Spending the majority of their stay in suburban south Dublin prompted the query as to why the fashion is for graveled driveways as opposed to grass. This was one of the only notable differences between the modern metropoles of Dublin and Boston, apparently. Having never paid any particular attention to such ubiquitous assemblies in the past, I couldn’t speculate as to my fellow citizens’ preference for large gatherings of pounded stones … Read the rest

A Celebration

INVITED ARTISTS AND THINKERS DISCUSS THE HISTORY OF THE DOUGLAS HYDE GALLERY ON ITS 40TH ANNIVERSARY.

This is an abridged version of a public conversation that took place on 17 May at The Douglas Hyde Gallery, as part of a year-long programme marking the gallery’s fortieth anniversary. The panel, chaired by Caoimhín Mac Giolla Léith and introduced by current DHg director Georgina Jackson, comprised artists who have previously had major solo exhibitions at the DHg. Each artist took the opportunity to reflect on the significant influence the DHg has had on their relationship with contemporary art.

Georgina Jackson: The Douglas … Read the rest

A Cherished Place

DECLAN LONG PRESENTS AN OVERVIEW OF THE KERLIN GALLERY’S 30-YEAR HISTORY.

“Places you can go for free, run by strange people with visions who want to help artists by showing and selling their work”: this was Jerry Saltz, the New York art world’s notorious, necessary gadfly, writing in praise of Chelsea galleries right after Hurricane Sandy had flooded basements, damaged exhibition spaces and indiscriminately destroyed countless works of art. Galleries come and go; we might love them or loathe them; but in that moment of devastation, Saltz felt a need to make a stirring case for their defence: fundamentally, … Read the rest

University of Atypical

JANE MORROW REFLECTS 25-YEARS OF THE UNIVERSITY OF ATYPICAL, BELFAST.

Most organisations would throw a big, indulgent party for their 25th birthday. It’s not that the former Arts & Disability Forum don’t love a party – they do – but they elected instead to mark this key anniversary by asking difficult questions of their staff, board, members and stakeholders: “Who are we? What contribution do we make? Why are we here and how can we continue to make the best work possible happen here?” As a result, they took the bold move of rebranding. They’d known for a while that … Read the rest

By Design

PÁDRAIC E. MOORE INTERVIEWS OONAGH YOUNG ABOUT THE TEN-YEAR EVOLUTION OF HER DUBLIN GALLERY.

Pádraic E. Moore: We first met in 2006, at which point you already had an established design practice. Can you can give some insights into what made you want to open a gallery?

Oonagh Young: I’d always been drawn to visual art and studied visual communication before setting up a graphic design studio. I had to consider expanding during the ‘boom’, but realised I would become a manager, which made me question the direction I was taking. Working as a designer with several arts organisations at … Read the rest

The Long Note

SARA GREAVU INTERVIEWS HELEN CAMMOCK ABOUT HER NEW FILM COMMISSION FOR VOID GALLERY, DERRY.

This year marks the 50th anniversary of a key civil rights march in Derry that took place on 5 October 1968, calling for the right to vote and an end to gerrymandering and discrimination in housing. This march, and its suppression by the state, is often cited as the galvanising moment of the civil rights movement, and as the starting point of the political conflict that dominated the next 30 years. In the days and weeks before the 50th anniversary, a range of events were organised … Read the rest

Journey Through the Centuries

KIRSTIE NORTH INTERVIEWS MARY MCCARTHY ABOUT HER NEW ROLE AS DIRECTOR OF CRAWFORD ART GALLERY, CORK.

Kirstie North: Congratulations on becoming the new director of the Crawford Art Gallery. I think all of us in Cork were delighted when we heard that you had been appointed. What first attracted you to the Crawford?

Mary McCarthy: Well I’m now three months into the job, but a lot of things attracted me to Crawford. The first is its potential, because it really has a very important legacy in the city, and nationally in terms of presenting shows of contemporary art and shows … Read the rest

Archival Gesture

CHRIS HAYES DISCUSSES THE EVOLUTION OF ‘PERIODICAL REVIEW’ – A LONG-RUNNING CURATORIAL PROJECT BY PALLAS PROJECTS/STUDIOS.

To write about the Periodical Review – an annual exhibition, now in its seventh iteration – is to repeat and confront the curatorial project’s own questions and provocations. Hosted, organised and partially curated by the not-for-profit artist-run space, Pallas Projects/Studios in Dublin, Periodical Review aims to enliven the practice of contemporary exhibition-making by reimaging the gallery space as a magazine. The exhibition title, in itself, echoes this publishing endeavour, suggesting something occurring at regular intervals. Periodical Review offers a unique opportunity to look back … Read the rest