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Solemn and Bedazzling

LISA GODSON EXAMINES ARTISTS’ BANNERS THROUGH A MATERIAL CULTURE LENS, SITUATING THEM WITHIN THE BROADER HISTORY OF SOCIAL PROTEST MOVEMENTS. Among the placards, signs and posters held aloft at the sixth annual March for Choice in Dublin on September 30 were a set of remarkable banners created by artists Alice Maher, Rachel Fallon and Breda Mayock. As Fallon explains: “We had a meeting at the beginning of the year about what way the artists’ campaign could go, in terms of repealing the Eighth Amendment. It was important to do something that was ‘us’ and that spoke of our expertise in making things”. Until the early twentieth century, processions with spectacular

Trading Places for a Fair Land

JANICE HOUGH OF IMMA INTRODUCES THEIR COLLABORATIVE PROJECT ‘A FAIR LAND’, WITH GRIZEDALE ARTS, BASED IN THE LAKE DISTRICT. On the first outing to Grizedale Arts in spring of last year, Helen O’Donoghue (Head of Engagement and Learning at IMMA) and I found ourselves driving the entire circumference of the Lake District. After four hours of driving, which should have taken two, we were barely holding it together in the car as darkness fell over the rural pastures of Cumbria. Our failure to locate this peripheral centre led us to discover that there were two Grizedale Arts here. The one we were looking for was in Lawson Park and of