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Architecture

Dorothy Smith ‘Land Marks’

RHA Ashford Gallery, Dublin 15 March – 22 April 2018 I moved house recently and, in the process, became acutely aware of our perceived ownership of spaces. As I emptied one house of our family’s possessions, our hold on it began to drain. And as we began to fill the new house, our presence began forcing out the previous occupants. Before I turned the key of our old house for the last time, I was left in a space emptied of our things but was also conscious that some of our memories and traces would remain. This often-indiscernible line that exists between physical structures and our relationship to them is

Push and Pull

RHA Ashford Gallery, Dublin, 19 January – 11 February 2018 In a TED talk entitled ‘How architecture helped music evolve’, the musician David Byrne (of Talking Heads fame) suggested that the relationship between architecture and music is directly formative. Byrne argued that the spatial and architectural features of a venue specifically influence the sonic and acoustic characters of the music performed there. In other words, American punk band, Black Flag, are to the small hardcore club what AC/DC are to the open-air area. If we imagine visual art to be engaged in a similarly formative relationship with its venues of display, it is interesting to consider whether Niall de Buitléar’s exhibition,

Building a Book

BEN WEIR OUTLINES HIS RECENT BOOK, PUBLISHED IN RESPONSE TO URBAN REDEVELOPMENT IN BELFAST CITY CENTRE. “The Claw is the blind performer It cannot speculate, judge Nor wince      Steadfast      Choreographed      Dull acts      Mechanised      Strength Hastening      Iconoclastic      Labour Blunt-cleft Buildings open Exposing truths The Claw can’t read      Crimes in plain sight      An austere vandal.”

This is Not Architecture

Highlanes Gallery and Droichead Arts Centre, Drogheda, 24 April – 21 June 2017 For Vitruvius, [1] successful architecture combined “firmness” (structural integrity), “commodity” (function) and “delight” (aesthetic pleasure). While these remain core requirements, contemporary conceptions of the discipline tend to be more fluid. ‘This is Not Architecture’, a two-site group exhibition in Drogheda, animates thinking around the nature of its subject, probing its conventions through considerations of similarity and difference. Curated by Highlanes director Aoife Ruane, the exercise is enhanced by the contextualising environment of the gallery, located in a repurposed Franciscan church. Built in 1829, it combines stained-glass windows, gothic arches, cast-iron columns, a marble altar with late Celtic Revival tabernacle door,

AlterRurality

DOMINIC STEVENS (DUBLIN SCHOOL OF ARCHITECTURE, DIT) AND SOPHIA MEERE (LANDSCAPE ARCHITECTURE, UCD) DISCUSS THE ‘FIELDWORK LETTERFRACK 2016: ALTER-RURALITY’ CONFERENCE, WHICH THEY RAN 6 – 9 JUNE IN RURAL CONNEMARA. What starts to happen when artists, architects, landscape architects, farmers, practitioners and researchers from all around Europe meet to discuss rural life? This June, in Letterfrack, Connemara, an event was held to find out. Three Irish universities (University College Dublin, Dublin Institute of Technology and Galway Mayo Institute of Technology) gathered together 65 researchers, practitioners, teachers and advisors, all engaged with rural life and interested in its future, from 30 different organisations and 10 different countries, for exchange of ideas