JOANNE LAWS INTERVIEWS ANDREW DUGGAN ABOUT ‘PROCLAMATION’, A MULTI-VENUE EXHBITION FUNDED BY CULTURE IRELAND. Two neon signs in a field A public act What’s said? ‘It Only Remains’ (into the night) (out of the dawn) ‘Until Such Time’ Explicit or evocative, for discourse or meditation A spell to conjure a desired state of affairs A declaration that a state of affairs pertains Sounds: between crying and sighing What’s projected?
Sarah Browne and Jesse Jones, the Rotunda Hospital Pillar Room, Dublin, 23 – 25 September 2016 The day of the second public performance of Jesse Jones and Sarah Browne’s The Touching Contract fell on a date of heightened emotion for women in Ireland, taking place just hours after Dublin saw thousands take to the streets in the fifth annual March for Choice, part of the campaign demanding that the government repeal the Eighth Amendment. The atmosphere in the Rotunda Pillar Room’s ante-chamber was withdrawn and respectful; the audience appeared fragile. The third chapter of four performative works in the pair’s first collaboration ‘In the Shadow of the State’ was devised in