Tag: Identity

‘Fast Slow Fast’

CCA Derry~Londonderry
8 June – 10 August 2019

My day-job is punctuated by a variety of tasks, one of which is to create and circulate promotional images on displays. Source imagery arrives through inter-office email, mostly as custom-ratio JPEGs, PDFs, or on occasion – and most laborious of all – as PowerPoints. You might assume that this is mundane work; however, to someone with my interests, there is something profound about this cutting, pasting, alpha masking and exporting. The images become temporal objects, displaying evidence of their imperfections, rearrangements and cropping, but only remain for however long their promotions are … Read the rest

Staged Authenticity

ALAN PHELAN NAVIGATES GENDER IDENTITIES AT THE 2019 VENICE ART BIENNALE.

The biennale opened a week before the Eurovision. In terms of kitsch nationalism and tone-deaf politics, there could not be a better analogy. Difficult national politics can get art-washed – or tourism promotion can have a stronger grip than the art – but this year, these were outweighed by strong feminist voices or, better still, work that had opposing values to the country they were representing or the curatorial theme they were nestled into. The ‘big show’ that tackles the ‘big ideas’ of the day can easily lose out … Read the rest

‘Social Commons’

Liberty Hall Theatre, Dublin
2 – 12 May 2019 

Francis Fay, The Knight of Mirrors, 2019, performance, 2 May; photograph by Kathryn Maguire

Presented in the congenial lobby, stairs and bar areas of Liberty Hall Theatre, ‘Social Commons’ was curated by Kathryn Maguire and Siobh McGrane for May Fest – SIPTU’s “celebration of workers’ culture”. Where the ‘commons’ denotes a shared physical resource, ‘social commons’ can mean a dispensation of peer-to-peer relationships, parallel to private and State structures, aimed at promoting a ‘general good’. The term refers not just to redistribution, but to transformative communal self-understanding. At the base … Read the rest

Amharc Fhine Gall 11th Edition

Draíocht Arts Centre, 22 November 2017 – 3 February 2018

In Yvonne McGuinness’s two-channel film installation, Holding ground where the wood lands (2017) – commissioned for this year’s ‘Amharc Fhine Gall (Fingal Gaze)’ exhibition – a group of adolescents from a local Foróige club are depicted meandering through open fields and woodlands surrounding the former Plunkett Estate in Portmarnock (now Malahide Golf Club). Centred around a pivotal and formative time in their lives, the film fluctuates between documentary film and directed theatrics and depicts the young men engaged in a series of performative actions.

The Mistress of the Mantle

Katherine Nolan, MART, Dublin, 2 – 31 March 2017

KATHERINE Nolan is a performance artist whose work focuses on her body and her image as sites of investigation into the representation and construction of femininity. Her recent series of performances, The Mistress of the Mantle, held at MART, Rathmines, were based on the artist’s experience of returning to Ireland after 10 years in London. She found that the reality of moving ‘home’ was not quite the return to the fold that she had anticipated. Unexpectedly, this transition marked her symbolic arrival at the precipice of adulthood. Time away and … Read the rest