Venice Biennale | Bingo Biennale

Hoʻomanaʻo ʻo Alan Phelan i ka paʻi 59th o ka Venice Biennale.

Pavilion o Austria, kono o ka mīkini palupalu a me kona mau ʻāpana kino huhū, ʻike hoʻonohonoho, 59th International Art Exhibition, La Biennale di Venezia, 'The Milk of Dreams'; Na Marco Cappelletti kiʻi, mahalo ʻia ʻo La Biennale di Venezia. Pavilion o Austria, kono o ka mīkini palupalu a me kona mau ʻāpana kino huhū, ʻike hoʻonohonoho, 59th International Art Exhibition, La Biennale di Venezia, 'The Milk of Dreams'; Na Marco Cappelletti kiʻi, mahalo ʻia ʻo La Biennale di Venezia.

Hoʻouna ʻia kahi hoaaloha He kāleka Bingo Venice Biennale maikaʻi iaʻu i koʻu haʻalele ʻana i ke kahua mokulele, ʻaʻole i liʻuliʻu ma hope o koʻu hōʻea ʻana ua piha. a me ke kii maoli, me ka nui o ka like ole a me ka oi. Ua hoʻopili ʻia ka nui o kēia mau kūʻē ʻana i ka hale hoʻokipa retro ʻo Austrian i hoʻopaʻa ʻia, i hui pū ʻia me kahi palapala i ʻoi aku ka nui o ka makasina mea hale ma mua o ka manifesto, akā he mea kupanaha nā mea ʻelua.1

E like me kāu i lohe ai, ua hoʻololi ka 59th edition i kona ʻano like ʻole o ka wahine i ka wahine, me ka mana o 80% ma nā hōʻikeʻike artistic Cecilia Alemani's Arsenale a me Central Pavilion. ʻAʻole i manaʻo ʻia ka manaʻo o ka curatorial agenda ma mua o ka hōʻino koʻikoʻi akā naʻe, no ka mea, ua hui pū ʻia ka hana me nā manaʻo ikaika hou. Eia naʻe, ʻaʻole i hahai nā pavilion aupuni kūʻokoʻa a loaʻa i ʻekolu ala like o nā wahine, nā kāne a me nā hōʻike hui.

ʻO nā kiʻi kiʻi nui Simone Leigh i hoʻomalu a hoʻopaʻa i nā wahi hōʻikeʻike a pau. ʻO ke kākoʻo kālā nui no ka hoʻokō ʻana i kēia mau kiʻi kiʻi ʻokoʻa loa me ka liʻiliʻi o nā kālā kālā mai kekahi mau ʻāina o ʻApelika a me nā papahana hana kiʻi ʻōiwi ʻē aʻe e hakakā nei no ka ʻike. 

I loko o ka ʻike honua ʻē aʻe o nā pavilion aupuni, noho mau nā aupuni G7 ʻaʻole G20 - ʻo nā mana colonial mua a me ko lākou mau hale noho ka hapa nui. Aia kahi kahua pāʻani hoʻohālike i koho ai ʻo Netherlands e hana a hāʻawi i kā lākou Giardini wahi i Estonia, ʻaʻohe hale paʻa. ʻAʻole i uku maikaʻi ʻia ka hana, ʻoiai ua pau ka Dutch ma ka ʻaoʻao o ka Victor Pinchuk Foundation i hōʻike kālā ʻia, ʻo ia hoʻi ka Pelekikena Zelenskyy Zooming no ka wehe ʻana. ʻO ka hoʻokomo ʻana i nā kiʻiʻoniʻoni ʻo Melanie Bonajo i hoʻolilo ʻia me ka ʻoluʻolu ponoʻī iā ia iho, ʻoiai ʻo ka hoʻopā ʻana, ka pilina a me ka mehameha e pili ana a post-Covid. ʻAʻole i ʻoi aku ka maikaʻi o Estonia me ka hakakā ma waena o ka mea pena a me ka curator, i hana ʻia no kahi hōʻike huikau loa. 

ʻAʻole ʻoi aku ka nui o ke kālā i ka hana ʻoi aku ka maikaʻi akā, ʻo kaʻu mau hale hoʻokipa punahele ʻo Farani a me Italia (nāna nā kālā e holo ana i nā miliona miliona.). ʻO ka hoʻonohonoho kiʻiʻoniʻoni a Zineb Sedira a me ke kiʻiʻoniʻoni biopic i loaʻa nā ʻike aʻu i ʻike nalo mai nā hōʻike curated nui. ʻO kāna moʻolelo ola i haʻi ʻia ma o ka kiʻiʻoniʻoni militant a me ka moʻomeheu hula ma lalo o ka honua, nā ʻano hoʻololi a me nā ʻenehana me ka puʻupuʻu haʻahaʻa maikaʻi ʻaʻole pono e hana akā hana maikaʻi. ʻO ka hale lole French5 he ʻāpana kiʻiʻoniʻoni a me nā kiʻiʻoniʻoni - ua ʻaʻahu ʻia e like me ka lumi hoʻokipa, ka pā, kahi e waiho ai i nā kiʻiʻoniʻoni a me nā mea hou aku, kahi i pana ʻia ai ka hana. Pēlā nō hoʻi ka hōʻike Italian5 i hoʻokūpaʻa i ka hoʻonohonoho hale kūʻai mua, e hoʻohuli iā ia i hale hana i haʻalele ʻia ma hope o ka ʻoihana, me kahi hui ʻē aʻe o nā mīkini redundant, nā hose ea, nā mīkini humuhumu a me kahi pahu wai ʻeleʻele me nā fireflies simulated. ʻOiai ʻo ia kahi hoʻonohonoho immersive kupaianaha e hoʻomau nei iā ʻoe e noʻonoʻo, i ka manawa aʻu i heluhelu hou ai e pili ana i nā mea kākoʻo koʻikoʻi he hale couture fashion a me ka mea hana superyacht, ʻo ka moʻolelo a Gian Maria Tosatti i hoʻohālikelike ʻia a hoʻolilo i ka hana i mea maoli a i ʻole complicit.

Ua huki paha au i kekahi mau pilina i ke kaua ma Ukraine, akā he pōʻino hou loa ia i ʻike ʻia ma nā hōʻike i ʻekolu makahiki ma mua o ka hana ʻana. ʻO ka Elepani nui loa i loko o ka lumi, ʻaʻole ʻo Katharina Fritsch kiʻi kiʻi (ʻo kahi elephant nui ma ka puka komo i loko o ka Central Pavilion) akā ʻo nā pavilion o Kelemania a me Sepania, nona ke ʻano like. Ua loaʻa iā lāua nā hana hoʻolālā, a ua hāʻawi ʻia i nā alakaʻi a me nā palapala ʻāina o ke kūlanakauhale no nā malihini a me nā mākaʻikaʻi. Ua hōʻike ʻo Kelemania i nā kahua kūʻē a me nā hoʻomanaʻo kaua a hōʻike ʻo Sepania i nā wahi e hōʻiliʻili i nā puke manuahi. ʻO kēia mau hana anti-spectacle, i hoʻokumu ʻia i ka noiʻi kikoʻī, i hana ʻia no nā papa inoa ʻoi aku ka maikaʻi - he pāʻani paʻakikī e hana i kahi hanana e like me kēia.

Ma waena o lākou i ka Giardini ironically, ʻo ia ka hale hoʻokipa ʻole o Rūsia, kahi i haʻalele ai nā curators a me nā mea pena kiʻi e like me ka pāpā ʻana o ka biennale i ko lākou komo ʻana. ʻO ka hele mau ʻana o nā mākaʻi a me nā malihini e kiʻi ana i ka hale paʻa i hana kaumaha i kekahi mea mai ka mea ʻole. Ua ʻike au i kahi pana ikaika loa o kahi mea hoʻomaʻemaʻe me ka huila huila o nā ʻeke ʻōpala, ʻaʻohe mea kānalua i hana i kekahi ʻano ʻōlelo ma kahi hānai media. ʻO ka ʻaoʻao ʻē aʻe ʻo Nordic Pavilion i lilo i ka Sámi Pavilion, i hoʻopiha ʻia no nā lā paʻi e nā poʻe hauʻoli he nui i kāhiko ʻia. ʻO ke komo ʻana ma mua o ka hōʻike ʻana he mea koʻikoʻi ma ʻaneʻi no ka mea, ʻike ʻia nā hana noʻeau i kēia ʻano nui o nā lāhui Nordic, ka mea i kaʻana like i kēia lāhui a me ka moʻomeheu ʻōiwi. Ua loaʻa iā Australia a me New Zealand nā ʻōlelo hoʻomaikaʻi a me nā ʻike ʻōiwi, e hāʻawi ana i kahi leo hoʻokipa o ka sonic, strobe a me kahi hoʻomoana. 

I ka wā o ka Instagram aloha post-internet art, ʻaʻole hiki ke kiʻi ʻia nā hana maikaʻi loa. Pono ka mea nānā e noho kino e ʻike i ka hana. He moʻolelo o ka laser a me nā prisms i hoʻolālā ʻia i nā kikokikona ticker-tape ma loko o ka hale hoʻokipa Iapana holoʻokoʻa e ka hui Dumb Type, nā huaʻōlelo a me nā kiko, e paʻakikī loa ka heluhelu ʻana a hiki ʻole ke hopu.

Hāʻawi nā hōʻike curated nui i nā hana he nui me nā kikoʻī i hana maikaʻi ʻia i kekahi manawa paʻakikī akā ʻoi loa ka huhū. ʻO ka maze o nā hana he mea koʻikoʻi i ka hana ʻana, me ka puʻupuʻu o nā moʻolelo hou i ʻike paʻakikī iaʻu e ʻōlelo me ka noʻonoʻo a me ka noʻonoʻo o kēia wā. ʻO ka mea i manaʻo maikaʻi ma hope o ka hele lōʻihi ma Arsenale ʻo Niamh O'Malley's Irish Pavilion.6 Ma ʻaneʻi i ʻōlelo mai ai ka hana lima, nani a me ka liʻiliʻi iaʻu ma mua o ka hōʻike nui maximalist. He ʻokoʻa ka maʻalahi o nā hana i ʻike ʻole ʻia ma nā wahi ʻē aʻe i hōʻole i ka hoʻowahāwahā. Ua paʻa ka hōʻike a O'Malley i nā memo kūpono, ʻoi aku ka maikaʻi o ka hoʻopili ʻana ma mua o ka hiki i ka curator biennale ke haʻi i kāna mau koho. 

He mea pena ʻo Alan Phelan e noho ana a hana ma Dublin. ʻO kāna huakaʻi i Venice ua hoʻolako kālā ʻia me ka ʻae ʻana o ka nūpepa i hāʻawi ʻia e VAI. 

alanphelan.com

Notes:

1 E nānā: hyperallergic.com/725426/venice-biennale-bingo-card

2 ʻAuseturia (biennalekneblscheirl.at)

3 USA (simoneleighvenice2022.org)

4 E nānā: new.pinchukartcentre.org/thisisukraine

5 Italia (notteecomete.it)

6 ʻIlelani (irelandatvenice2022.ie)