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Sarah Durcan, The Invisibles, 2022, production still; photograph by Louis Haugh, courtesy of the artist.
January 27, 2023 0

Festival / Biennial | EVA International 2023

Thomas Pool: How does your work responded to the ideological, administrative, and social implications of [...]

Critique

Brian Fay, MJ 16, 2020, pencil on paper (on loan from the Collection of The Arts Council of Ireland) installation view, Limerick City Gallery of Art; photograph by Ros Kavanagh, courtesy the artist, Highlanes Gallery, and LCGA.
January 25, 2023 0

Critique | Brian Fay ‘The Most Recent Forever’

Drawing is the opening of form, in the sense of a beginning or a departure.1 Jean-Luc Nancy has put this [...]

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