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Organisation Profile | Greywood Arts
Organisation Profile | Greywood Arts
Critique | John Beattie, ‘Reconstructing Mondrian’
Critique | John Beattie, ‘Reconstructing Mondrian’
Critique | Fiona Kelly, ‘A Demarcation of Time’
Critique | Fiona Kelly, ‘A Demarcation of Time’
Career Development | Older Than Our Gods
Career Development | Older Than Our Gods
Critique | Raymond Watson ‘Apis Mellifera: The Honey Bee’
Critique | Raymond Watson ‘Apis Mellifera: The Honey Bee’
Exhibition Profile | Xenophon: Making Oddkin
Exhibition Profile | Xenophon: Making Oddkin
Critique | Anthony Luvera, ‘She / Her / Hers / Herself’
Critique | Anthony Luvera, ‘She / Her / Hers / Herself’
Career Development | Home, Architecture, Territory
Career Development | Home, Architecture, Territory
Critique | Grace Dyas, ‘A Mary Magdalene Experience’
Critique | Grace Dyas, ‘A Mary Magdalene Experience’
Festival / Biennial | EVA International 2023
Festival / Biennial | EVA International 2023
Critique | Brian Fay ‘The Most Recent Forever’
Critique | Brian Fay ‘The Most Recent Forever’
Exhibition Profile | Flotsam, jetsam, lagan and derelict
Exhibition Profile | Flotsam, jetsam, lagan and derelict
Critique | Kevin Mooney ‘Revenants’
Critique | Kevin Mooney ‘Revenants’
Legacy | Casa Dipinta
Legacy | Casa Dipinta
Critique | ‘In and of Itself – Abstraction in the Age of Images’
Critique | ‘In and of Itself – Abstraction in the Age of Images’

Articles

Emilia Tapprest and Valerie Van Zuiljen, Our Side of the Moon, 2022; film still courtesy of the artists and Greywood Arts.
March 27, 2023 0

Organisation Profile | Greywood Arts

The sound of hammering echoes from a Georgian house in the village of Killeagh, County Cork. Passers-by stop [...]
  • George Bolster, ‘Communication: We Are Not The Only Ones Talking...’, installation view. Foreground: Extinctioneering: Soon only available in Museums, 2022, satin, paint, wood and nylon rope; Background: Reality is more than We can Comprehend, 2022, jacquard, acrylic and sand; photograph by Tomasz Madajczak, courtesy the artist and Uillinn: West Cork Arts Centre.
    March 17, 2023

    Career Development | Older Than Our Gods

  • Siobhan McGibbon, ‘Xenophon: Making Oddkin with Japanese Knotweed’, installation view, Galway Arts Centre; photographs by Tom Flanagan, courtesy of the artist and Galway Arts Centre.
    March 13, 2023

    Exhibition Profile | Xenophon: Making Oddkin

  • Alice Rekab, ‘Mehrfamilienhaus’, installation view, Museum Villa Stuck; photograph courtesy the artist and Museum Villa Stuck.
    March 8, 2023

    Career Development | Home, Architecture, Territory

  • Sarah Durcan, The Invisibles, 2022, production still; photograph by Louis Haugh, courtesy of the artist.
    January 27, 2023

    Festival / Biennial | EVA International 2023

Critique

John Beattie, Reconstructing Mondrian, 2013-2022, 4K colour video projection with surround sound, 60 mins, produced and directed by John Beattie; image © and courtesy John Beattie
March 24, 2023 0

Critique | John Beattie, ‘Reconstructing Mondrian’

Making a note of the exhibition title, I wrote “Reconstructing Modernism”, before quickly realising my [...]
  • Fiona Kelly, Ceaselessly Shifting, 2023, bitumen screen print on birch ply, 77.7 x 77.7 x 3.5 cm, Edition 1/3; photograph by Kate-Bowe O’Brien, courtesy of the artist.
    March 20, 2023

    Critique | Fiona Kelly, ‘A Demarcation of Time’

  • Raymond Watson, ‘Apis Mellifera, The Honey Bee’, installation view; photograph © and courtesy of the artist and ArtisAnn Gallery.
    March 15, 2023

    Critique | Raymond Watson ‘Apis Mellifera: The Honey Bee’

  • Anthony Luvera, Sarah, November 2022, from the series ‘She / Her /Hers / Herself’ (2017-22); image courtesy of the artist and Belfast Exposed.
    March 10, 2023

    Critique | Anthony Luvera, ‘She / Her / Hers / Herself’

  • Grace Dyas, A Mary Magdalene Experience, 2022, film still; image courtesy of the artist and Rua Red.
    January 30, 2023

    Critique | Grace Dyas, ‘A Mary Magdalene Experience’

News

May 11, 2022 0

Gather by Niamh O’Malley | Ireland at Venice 2022 Officially Opens

Ireland at Venice 2022, the national representation of Ireland at the 59th International Art Exhibition of La [...]
  • May 11, 2022

    Kim McAleese appointed as Director of Edinburgh Art Festival

  • Francesca Woodman, Self-portrait talking to Vince, Providence, Rhode Island, 1977, Gelatin silver estate print; Photograph courtesy The Woodman Family Foundation and Marian Goodman Gallery, © Woodman Family Foundation / DACS, London.
    May 4, 2022

    Out Now! – May-June issue of the Visual Artists’ News Sheet

  • April 12, 2022

    Applications are Now Open for the Basic Income for the Arts Pilot Scheme

  • February 25, 2022

    VAI Awards 2022: Call for Applications – Experiment!

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