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Project Profile | Remaking the Crust of the Earth
Project Profile | Remaking the Crust of the Earth
Critique | Niamh O’Malley, ‘Gather’
Critique | Niamh O’Malley, ‘Gather’
Performance | Principles of Space Detection
Performance | Principles of Space Detection
In Focus: Irish Arts Abroad | Untitled (Bodies)
In Focus: Irish Arts Abroad | Untitled (Bodies)
Critique | Bernadette Kiely, ‘A NEW LANDSCAPE – Cork or Venice, Who Cares, Who Can Tell’
Critique | Bernadette Kiely, ‘A NEW LANDSCAPE – Cork or Venice, Who Cares, Who Can Tell’
Ecologies | The Bogs Are Breathing
Ecologies | The Bogs Are Breathing
Critique | ‘Fix Your Pony!’
Critique | ‘Fix Your Pony!’
Critique | Richard Gorman, ‘Living Through Paint(ing)’
Critique | Richard Gorman, ‘Living Through Paint(ing)’
Column | The Eviction
Column | The Eviction
In Focus: Irish Arts Abroad | Irish Arts in California
In Focus: Irish Arts Abroad | Irish Arts in California
Project Profile | Systemic Crisis
Project Profile | Systemic Crisis
Organisation Profile | Greywood Arts
Organisation Profile | Greywood Arts
Critique | John Beattie, ‘Reconstructing Mondrian’
Critique | John Beattie, ‘Reconstructing Mondrian’
Critique | Fiona Kelly, ‘A Demarcation of Time’
Critique | Fiona Kelly, ‘A Demarcation of Time’
Career Development | Older Than Our Gods
Career Development | Older Than Our Gods

Articles

Gavin Murphy, Remaking the Crust of the Earth, 2023, installation view, Irish Architectural Archive; photograph by Louis Haugh, courtesy of the artist.
May 26, 2023 0

Project Profile | Remaking the Crust of the Earth

“The material of which we speak is almost the stuff of magic. By an accident of nature molten silicon (the [...]
  • Irina Gheorghe, Principles of Space Detection, 2023, performance; courtesy of the artist and NCAD Gallery.
    May 22, 2023

    Performance | Principles of Space Detection

  • Kira O’Reilly and Jennifer Willet, Refolding (Laboratory Architectures), 2010; photograph by Hugo Glendinning, courtesy of the artists.
    May 19, 2023

    In Focus: Irish Arts Abroad | Untitled (Bodies)

  • Siobhán McDonald, PURIFY, 2023, digital photograph © and courtesy of the artist.
    May 12, 2023

    Ecologies | The Bogs Are Breathing

  • Adam Doyle, The Eviction, 2021, digital image; image courtesy of the artist.
    May 5, 2023

    Column | The Eviction

Critique

Niamh O’Malley, ‘Gather’, Installation view, The Model; photograph by Aisling McCoy, courtesy of the artist, The Model, and Ireland at Venice 2022.
May 24, 2023 0

Critique | Niamh O’Malley, ‘Gather’

A roving shadow appears; a haze of mist over the Garavogue River casts faint ripples through the window [...]
  • Bernadette Kiely, Cork or Venice (who cares, who can tell), 2022-23, oil on canvas, 186 x 204 cm photograph courtesy of the artist and Lavit Gallery.
    May 17, 2023

    Critique | Bernadette Kiely, ‘A NEW LANDSCAPE – Cork or Venice, Who Cares, Who Can Tell’

  • A Klass, Untitled skateboarding photographs, 2022, ‘Fix Your Pony!’, installation view; photograph by Simon Mills, courtesy of the artists and Naughton Gallery.
    May 10, 2023

    Critique | ‘Fix Your Pony!’

  • ‘Richard Gorman: Living Through Paint(ing)’, installation view, Hugh Lane Gallery; photograph by Denis Mortell, courtesy of the artist and Hugh Lane Gallery.
    May 8, 2023

    Critique | Richard Gorman, ‘Living Through Paint(ing)’

  • John Beattie, Reconstructing Mondrian, 2013-2022, 4K colour video projection with surround sound, 60 mins, produced and directed by John Beattie; image © and courtesy John Beattie
    March 24, 2023

    Critique | John Beattie, ‘Reconstructing Mondrian’

News

Paul Cézanne, La Vie des Champs (1876-77). Oil on canvas, 27.6 x 35.2 cm. Image, National Gallery of Ireland. Purchased, 2022, with special support from the Government of Ireland and a generous contribution from a private donor.
May 12, 2023 0

National Gallery of Ireland Adds Cézanne Painting to Collection

Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media, Catherine Martin TD, and Dr Caroline [...]
  • May 9, 2023

    The Arts Council publishes ‘Aosdána Beginnings’ by Mark Duncan

  • May 11, 2022

    Gather by Niamh O’Malley | Ireland at Venice 2022 Officially Opens

  • May 11, 2022

    Kim McAleese appointed as Director of Edinburgh Art Festival

  • Francesca Woodman, Self-portrait talking to Vince, Providence, Rhode Island, 1977, Gelatin silver estate print; Photograph courtesy The Woodman Family Foundation and Marian Goodman Gallery, © Woodman Family Foundation / DACS, London.
    May 4, 2022

    Out Now! – May-June issue of the Visual Artists’ News Sheet

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