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Lucy McKenna, Lenticel I, II, III & IV, 2022, steel, acrylic, dichromatic plastics, wire, light; photograph by Lee Welch, courtesy of the artist and Solstice Arts Centre
November 25, 2022 0

Exhibition Profile | A Dormant Light

In W.G. Sebald’s final novel, Austerlitz (London: Hamish Hamilton, 2001), there is a remarkable moment in [...]

Critique

Sarah Jayne Booth, (for) All Our Grievous Doings, 2022, multi-media installation; photograph by Ros Kavanagh, courtesy the artist and Hugh Lane Gallery.
November 23, 2022 0

Critique | ‘Bones in the Attic’

The intergenerational group exhibition, ‘Bones in the Attic’, at the Hugh Lane Gallery, offers intriguing [...]

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