Nānā Haumāna: Hōʻike Kahua

ʻO Katherine Stanley (Ke Kulanui o Art ʻo Edinburgh), Hāpai ʻo Grainne, 2020, 'Hōʻike Kahua' (Māhele ʻElua), 20 Mei 2020; na Aideen Barry ke kiʻi, na ka ʻaoʻao na ka mea pena kiʻi i kiʻi

NĀ HĀLA MAI KE KULA LIMERICK O ART A ME NĀ KAMUʻO ME KOLINIʻO EDINBURGH KOLOHE KĀLĀWAI E pili ana i kā lākou hana i loko o kahi hanana ʻike o waho o kēia manawa, i hoʻonohonoho ʻia e AIDEEN BARRY.

ʻO Cáitríona McClay lāua ʻo Éiméar McClay
ʻO Art Art Intermedia, Ke Kulanui o Art of Edinburgh

ʻO 'Field Test' kahi hōʻike hōʻikeʻike o nā haumāna e neʻe nei i nā hana kiʻi, hōʻike mamao ʻia i kahi māla e pili ana i nā mauna ʻo Silvermine ma County Tipperary. Me nā lio ma ke ʻano he lehulehu wale nāna, ua hiki ke nānā ʻia i ka lehulehu ma o kahi pūnaewele livestream ma 19 a me 20 Mei. ʻO ke Kulanui ʻo Art ʻo Edinburgh (ECA) kekahi o nā hui i kono ʻia e komo, me nā haumāna a puni ke Kula ʻo Art e hāʻawi nei i ka hana, a ua hopena i kahi papahana ʻokoʻa a pīhoihoi hoʻi.

Ma luna o ka hapalua o nā haumāna ECA i hoʻopaʻa i ka Intermedia, kahi loea i wehewehe ʻia e ke koʻikoʻi i ka hana ʻana o ka interdisciplinary, ka hana manaʻo. E aʻo i ke koena ʻO ke kiʻi kiʻi a pena kiʻi paha, nā kekelē kuʻuna i pili i ka hana maʻamau; Eia nō naʻe, i nā makahiki i hala aku nei ua hoʻonui ʻia nā palena o kēia mau papa e hoʻohui i nā pāpāho o kēia au e like me ka wikiō a me ka hana. ʻO kā Zac Hughson mea hāʻawi kiʻi kālai makahiki ʻehā no ka 'Field Test', i poʻo inoa ʻia Nā Lā Kū, hōʻailona ia ʻano hoʻomohala i ke kiʻi neʻe.

ʻO ka hapa nui o nā mea komo o ka ECA i hoʻopau hope loa i ko lākou makahiki hope loa o ka hoʻopaʻa haʻawina laepua; kaha ka kānana i kahi manawa kūpono na lākou e hōʻike i ka hana ma waho o kā lākou hōʻike degere i hoʻopaneʻe ʻia. Mai ka pani mua ʻana o ka pā kula kula kiʻi ma Malaki, ma muli o ka pilikia COVID-19, ua hoʻomohala nā haumāna i nā ala ʻē aʻe i ka hana a hōʻike ʻana i ka hana. Me ka loaʻa ʻole o kahi papa hana a studio paha, ua nalowale nā ​​mea pena kiʻi he nui i kākoʻo i kā lākou hana nui. Noho i loko o nā pālahalaha me ka palena o ka manawa e mālama a palapala ai i ka hana kino, ua huli kekahi i ka pāpāho immaterial e like me ke wikiō.

ʻO ka hapa nui o nā hana i hāʻawi ʻia e nā haumāna ECA e pili pono ana i ka maʻi maʻi coronavirus e hoʻomau nei. ʻO kahi laʻana, ʻo Aisling Ward's Hana Hana II e pili ana i ka lokahi, ka hana a me ke kūʻē kūʻē - nā kumuhana e pili ana i ke kūlana geopolitical o kēia manawa - e hoʻohana ana i nā palapala o kahi hana āna i hana ai ma ka ʻAha Hoʻokūkū ECA. Pēlā nō hoʻi e hōʻike nei i ke kūlana honua i kēia manawa ʻo Gabriel Levine Brislin's E uku ʻia ʻoe e hōʻino i koʻu manawa, kahi ʻāpana i kau ʻia ma nā palena o ke kamaʻilio ʻana ma loko o ka pae honua kikohoʻe o 21st kenekulia; me nā ʻōkuhi mamao loa e pili ana i ka pilikanaka i kahi ma UK a me nā ʻāina ʻē, ua nui ka poʻe i hilinaʻi ʻia i nā ʻenehana hiki i kēia wā e noho paʻa. Eia kekahi, ʻo Evie Edwards wikiō, ho'okokoke, hōʻailona i ka hana hou ʻana o kāna hana noʻeau i pane i ka laka. Kākau kēia wikiō i ka hana a Edwards i ka palena o ka huakaʻi hele i kēia manawa ma o kāna mākaʻikaʻi ʻike i nā palena ʻāina kaulana, e like me Kelemānia Neuschwanstein Castle, e hoʻohana ana iā Google Earth.

Ua kūpono kūpono ke ʻano o ka hoʻonohonoho ʻāina i ka hana a ka haumāna ʻo Katherine Stanley. Kākoʻo no ka moʻomeheu Irelani, hōʻike pinepine kāna mau wikiō i nā akua Celtic; me ka hoʻohana ʻana iā lākou ma ke ʻano he mascots, kamaʻilio ʻo ia i nā mea hoʻomākeʻaka, nā moʻolelo ʻano ʻē, hele pū me nā kiʻi i hōʻaiʻē ʻia mai nā hōʻike kīwī a nā keiki. ʻO kā mākou hāʻawi i ka 'Field Test', Hoʻohana Queer, like sure ia: hoʻoulu ʻia e kahi essay o ke poʻo inoa like e ka mea moʻomeheu moʻomeheu, ʻo Sara Ahmed, ua hoʻololi mākou i nā kiʻi o ko mākou kino i nā mea lako pono ʻole e hōʻike ai i ka hōʻole ʻia ʻana e nā kūpuna heteronormative.

Hāʻawi kekahi mau haumāna i nā kiʻi ʻoniʻoni e hōʻike ana i ka hana, e hōʻike ana i ka hana o ke wikiō ma ke ʻano he mīkini hoʻopaʻa leo. ʻO kā Michelle Wolodarsky ʻāpana, Mahalo Nui iā John Barry, kahakaha i ka hoʻomaka o kahi trilogy e pāʻani ana me ka illusion e hoʻopiʻi i ka manaʻo o ka "ʻoiaʻiʻo" ma ke ʻano he hōʻailona o ka maikaʻi ma ka hōʻike manaʻo. Ma o kēia hana, ʻimi ʻo Wolodarsky i ka haunaele ma waena o ka ikaika a me ka hana keaka, a hoʻokahuli i nā mea i manaʻo ʻia e ka poʻe e nānā ana i ke kūkulu ʻana i kahi hana, ma mua o ka hanana nui. ʻO Florentina Abendstein's Hula ʻ Ummalu kahi mākaʻikaʻi hoʻokō o ka hoʻonohonoho like ʻana o ka neʻe ma waena o nā mea a me nā kānaka, e hoʻohana ana i ka umbrella ma ke ʻano he prop. Hoʻohui ʻia e kahi kaula, lilo ka umbrella a me Abendstein i papeti a me nā ʻīlio pēpē, e neʻe pū ana i kahi choreography hikiwawe. ʻO Georgia Gardner's Hoʻomākaukau Dyadic manaʻo i kā mākou nānā i ka holomua a me nā manaʻo aʻe o ka waiwai ponoʻī. Holo nā neʻe ma o ka hoʻolōʻihi a hoʻolōʻihi i ka hoʻoponopono ʻana, e kahakiʻi ʻana i ka pilina mai ka nānā malū. Ma o kēia hana, nīnau ʻo Gardner pehea mākou e hoʻonoho ai i ke kumu, a ʻike i ka hoʻokō.

ʻO ka mea hope loa, ua hana nā haumāna makahiki ʻehā ʻo Maddy Scott-Berry lāua ʻo Cal McCormack i nā hana i kālele ʻia i ka hoʻomanaʻo. Ke holo nei ka hana a Scott-Berry, Nā Kino o ka Wai: Ke Alahaka, nā ʻāpana like i ka moʻomeheu o ka wahi, ka pilikino a me ka ʻike pilikino i ka ʻimi ʻana i kāna mau hoʻomanaʻo pilikino i ka wai; ʻoiai ʻo McCormack's Mālama ʻana i ka hua hoʻohana i ka kāmela iPhone ma ke ʻano he hoʻonui o ke kino, hiki ke kiʻi i nā pilina pili, hedonism a me nā hanana kūlohelohe maluhia.

ʻO Finn Nichol (Limerick School of Art and Design), ʻO Pluto, 2020, 'Hōʻike Kahua' (Māhele ʻElua), 20 Mei 2020; na Aideen Barry ke kiʻi, na ka ʻaoʻao na ka mea pena kiʻi i kiʻi

ʻO Cormac Hughes
ʻO Art maikaʻi (Photography, Film, Video), Limerick School of Art and Design

ʻO kahi waiho pūnaewele ʻana o nā hana ka mea e hoʻopau ai i kā lākou aʻo kula kula ʻana ma 2020 - kahi hopena hope loa i ka ʻike o ke koleke. ʻO kaʻu mau makahiki he ʻehā o ke aʻo ʻana ma Limerick School of Art and Design (LSAD) he mea nui loa ia, ma nā ʻōlelo pilikino a me nā manawaleʻa, kahi ʻike i kahakaha ʻia me ka comradery, ka laulima ʻana a me kēia manawa, kahi manawa puka ma hope o ke koleke e komo ai i ka Aideen Barry's 'Field Test '.

ʻO PFV (Photography, Film, Video) kahi papa ʻo Fine Art hou loa ma LSAD. Alakaʻi ʻia ka papa e Lorraine Neeson a ʻoiai ke loea nei ia i nā hana i hoʻokumu ʻia me nā aniani, aia kahi wahi e ʻimi ai i nā mea koho a me nā kaʻina hana ʻē aʻe. Ua hoʻi wau i ka papa ma hope o ka hala ʻole o ʻekolu mau makahiki, kahi manawa o ka noʻonoʻo ponoʻī, ua hoʻoikaika ʻia wau e ka nui o nā hana i hana ʻia e nā haumāna PFV a ua hoʻoulu ʻia e hoʻokokoke i kaʻu hana ponoʻī me ka makemake nui ākea. I koʻu makahiki ʻekolu, ua hana mua wau i kahi hana, kahi holomua kūlohelohe mai nā ʻano kiʻi aʻu i hana ai. Ua hopohopo wau e ʻimi i loko o kēia panalāʻau a mahalo wau i ke alakaʻi mau a me ke kākoʻo i hāʻawi ʻia e kaʻu mau kumu aʻo.

Ua hōʻike ʻia ʻo 'Field Test' i nā kiʻi ʻoniʻoni o nā haumāna ma ka papakaumaka 16 × 9 kapuaʻi i kahi mānoanoa e hoʻomoe mālie ʻia ana ma ka wāwae o nā mauna Silvermine. Ua hoʻouna nā haumāna noʻeau 29 i nā hana wikiō e hōʻike ʻia a hoʻolaha ola ʻia ma Instagram. I loko o ka makahiki i hala aku nei, ua kipa aku ka mea pena ʻo Aideen Barry i ke kumu aʻo no nā haumāna ma ke Kulanui ʻo Commonwealth Virginia (VCU) a me ke Kulanui ʻo Art of Edinburgh (ECA). Ua hoʻolālā ʻo ia i ka 'Field Test' ma ke ʻano he kahua no nā mea pena kiʻi e hōʻike i nā hana hou, ʻoiai e hāʻawi ana i ka puka aniani o ka noʻonoʻo ma loko o kā mākou kūlana honua i kēia manawa. ʻOiai ka palena o ke anaina ma kahi ākea, ua kau ʻia ka pale i ka pouli, kokoke i ka puʻuhonua a mākou e ʻimi ai i kā mākou hāmeʻa. hōʻike ia i ka haunaele ma waena o ka mamao o ke kino a me ka immaterial e hoʻokaʻawale a hoʻopaʻa iā mākou i kēia manawa. ʻO kēia kahi hōʻike hoʻāʻo o ka hana hana e hoʻololi i ka hopena o ka honua o ka maʻi maʻi COVID-19.

ʻO koʻu mau hoa haumāna LSAD o ka Sculpture & Combined Media and Photography, Film, nā wikiō wikiō, i ko lākou ʻano kaʻawale, ua lawe i kēia manawa kūpono e waiho i nā hana. Hana ʻia kikoʻī ʻia kekahi me ka maʻi ahulau i ka noʻonoʻo a me nā mea ʻē aʻe, i hana ʻia i loko o kahi honua ma mua o ka COVID, i kēia manawa ke ʻike ʻia mai nā kuanaʻike hou, e hāʻawi ana i nā ʻano noʻonoʻo like ʻole.

ʻO kā mākou pilina weliweli me ka nohona kūlohelohe, hiki ke ʻike ʻia i kēia manawa, hiki ke ʻike ʻia ma loko o nā hana i waiho ʻia no 'Field Test'. ʻO ka ʻāina ʻokoʻa o Adela Passas's Kaha leo lāua ʻo Jamie Burke's Ka Pouli ʻO Cryptic hoʻokomo i ka honua kūlohelohe me kahi ʻano leʻaleʻa, ʻike ʻia i ka haʻihaʻi, haʻihaʻi o ka hana a Passas a me ka ulu lāʻau ulu o Burke. Hōʻike nā mea pale o ka honua a me ka wai iā Sibéal Riordan's ʻO Triptych lāua ʻo Ellen-Rose Wallace's malalo o, nā huapalapala o aneane e hoʻokolokolo i nā kumumea no ka pane - nānā ʻole ʻia lākou? 

ʻO ke ola i loko o ka quarantined ʻike e kamaʻilio ʻia ma Ailbhe McGowran's Noho Papu lāua ʻo Sarah McGlone's ʻO Pops. Hōʻike lākou i kā mākou pane pane i ka poʻe a mākou e kaʻanalike nei, me mākou e ʻapo nei i ka makemake no ke kaiāulu a i ʻole e ʻalo iā ia, e ʻimi nei i kahi kaʻawale. E hakakā paha mākou e noho iā mākou iho, e hoʻopiha i ko mākou mau lā, e hoʻolōʻihi ana i nā hana menial, e like me ka mea i lawe ʻia ma Caoimhinn Ní Dhuinn ʻO ka luahine Quarantine, kahi e hoʻomaka ai kahi mania pāʻani e lele i luna. Pēlā nō, ʻo Fiona Gordon's ʻO BING BINGIN ', he mea haʻohaʻo inā e pili mau ana kā mākou personas pūnaewele i hana ʻia, a i ʻole e hoʻomaka paha e ulu i kahi haunaele i loko. ʻO ka virus, ma ke ʻano he mana ʻike maka ʻole ʻole, ʻae ʻia i loko o Maria McSweeney's ʻO ka Virus Vagabond lāua ʻo Clara McSweeney's ʻĀnai ʻana i ka hāmau, ke hōʻike nei i kā mākou mau hana kūpaʻa a hana hou i mua o ka mea ʻike ʻole ʻia.

ʻO nā hiʻohiʻona expressionistic a pena kiʻi o ke kiʻi ʻoniʻoni ʻo Finn Nichol, ʻO Pluto, hopu i ka makaʻu o loko a me ka melancholia i ko mākou wā e hiki mai ana i ka wā e hiki ʻole ana i ka wā e hana lima ʻia ana, Hoike Loiloi Quarantine, nonoi aku i nā leo kolohe ma o nā hiʻohiʻona kiʻi apocalyptic. Kū hou ka makaʻu kūpilikiʻi i nā ʻano somatic a me nā metaphysical o Shane Vaughan's ʻO kēia ʻiʻo make a me kaʻu kiʻi ponoʻī, Hana i Kamera, me he mea lā e ʻimi ana ke kino e hoʻonāukiuki i ka noʻonoʻo ma o ka hana kino a me ka noʻonoʻo.

Ke ʻike nei mākou i ka hoʻouka kaua ʻana o ka maikaʻi a me ka maikaʻi ʻole i loko o kā mākou ʻike i kēia lā i kēlā me kēia lā, kahi e paʻakikī ai mākou e hana me ka maopopo o ka noʻonoʻo. ʻO Sean Cahill's Lani / Kehena hopu i kahi blurring o ka manawa, e kākau nei i kahi moʻokāki hoʻomau a koʻikoʻi o nā lā. Inā hiki iā mākou ke mālama i ka maopopo, hiki iā mākou ke neʻe i mua o ka hoʻoilina hoʻoilina - i hōʻike ʻia i ka poetically i ka kiʻiʻoniʻoni ʻo Beate Gilson, ʻO Billet Doux - e hoʻololi pono ai? Me ka hoʻolaha ola ʻana o 'Field Test', ua hui pū mākou, ʻaʻole no ke kamaʻilio nui, akā e nānā. ʻO ka waiwai i ke kiʻi - ʻaʻohe mea ʻokoʻa i kēia manawa ma mua, akā ʻoi aku paha ka maopopo o ko mākou makemake, ʻaʻole no nā mea e hoʻi i ka 'maʻamau', akā no kekahi mea pīhoihoi a me nā mea hou - aia i ke ʻano o ka hoʻololi o ka lehulehu. Aia nā hōʻailona mua ma waena o mākou a ma waena o mākou, i kahi kaʻawale a me ka noʻonoʻo ʻana, e like me kahi aniani uila i nānā ʻia ma o ka puka aniani mamao.

Hoʻopili ʻia nā kānana 'Field test' paulenaaaa.me