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Carrick-on-Shannon

The Shape of Thought

JOANNE LAWS INTERVIEWS ALISON PILKINGTON ABOUT THE METHODS AND INFLUENCES UNDERPINNING HER CURRENT BODY OF WORK. JL: Your paintings seem to combine abstract, diagrammatic and figurative approaches. Are you conscious of having a particular aesthetic in mind, when you embark on a painting? AP: My aesthetic approach or painting style has evolved a lot over the last ten years or so, particularly since embarking on a practice-based PhD at NCAD, which I started in 2009 and completed in 2015. During this time, I made quite a deliberate break from gestural abstract painting. I think I felt the need to free myself up from a particular style of painting. It is

Like Me

The Dock, Carrick-on-Shannon 10 February – 31 March 2018 Featuring: Alice Hanratty, Kian Benson Bailes and Eleanor McCaughey ‘Like Me’ is a show which demonstrates the continued relevance and vitality of painting and drawing. Amongst other things, the three artists explore relationships between two-dimensional artworks and architectural space, while art of the past acts as a source of joy and inspiration, rather than as a ‘dead hand’, stifling creativity. Alice Hanratty’s newly-commissioned work, Procession, is a frieze of head-and-shoulder profile portraits, based on Cinquecento paintings, such as Piero della Francesca’s The Duke and Duchess of Urbino (1467–72). The works, which form a continuous frieze around The Dock’s central hall, are

Shadowgraph: Seeing the Invisible

TINKA BECHERT REFLECTS ON HER EXPERIENCE OF ART AND SCIENCE RESIDENCIES, INCLUDING THE SPARK RESIDENCY IN LEITRIM. My father dedicated his life to aerodynamics, turbulence research and the then emerging fields of bionics and biomimicry, so I have been around the sciences most of my life. When I was five, we visited the NASA facilities in Houston. Physics had a tangible aura of excitement and adventure for me, but it was only much later that I began to understand how challenging this highly creative discipline really is. My upbringing instilled a firm belief that human curiosity, wonder and a need for reason are shared driving forces across both the arts and