Category: Critique

She Devil

Golden Thread Gallery, Belfast, 17 December 2015–16 February 2016

In ‘She Devil’, two video projection screens fill the huge darkened warehouse space of Golden Thread’s Galleries One and Two. This doesn’t mean, however, that there are a small number of artworks on show. Between them, these two screens play a continuous loop of 15 video works. The ‘She Devil’ project has been presented, with different content but in a similar format, in Rome and Bucharest.

Kathryn Elkin/Trees Prosper & Len Graham

Kathryn Elkin and Seamus Harahan, CCA, Derry,
10 October–28 November 2015

CCA’s latest show explores the temporary nature of exhibition alongside residual cultural processes. It activates the build-up to an opening performance, or the post-processing of creative method, and the legacy left by those actions. The first collaboration is founded in Irish folk music. Artist Seamus Harahan formed the group ‘Trees Prosper’ with Patrick Morgan, Christina Anna Morgan and Sara J. Barry, who, in this venture, collaborated with established traditional singer Len Graham. The musicians worked toward the opening-night performance Along the Faughan Side, and their chairs remain in … Read the rest

Hanuman

Paul McKinley, Kevin Kavanagh Gallery, 20 November–19 December 2015

Hanuman is the Hindu monkey-god, a follower of Rama, the seventh incarnation of Lord Shiva, and a warrior credited with the ability to slay thousands of demons. The exploits of Hanuman are told in the epic poem the Ramayana, a 24,000 verse composition regarded as a great work of Indian literature.

McKinley online small 2The warlike god also lends his name to the latest solo exhibition from British-born artist Paul McKinley. This new body of work draws on the events  that took place towards the end of the brutal Sri Lankan civil war, which … Read the rest

Holding True Ground

Lisa Fingleton, Siamsa Tire, Kerry, 30 October–4 December 2015

The central work in ‘Holding True Ground’ is 30 Days of Eating Local Food. Located in the Round Gallery, the work takes the form of a diary, with each day unfolding through diagrams, notes, sketches and photographs. Day one includes a mind-map questioning the artist’s reasons for undertaking such a project. She quotes Gandhi: “You must be the change you wish to see in the world”.

Just Left of Copernicus (The Roof of the Story)

Niamh McCann, VISUAL, Carlow, 3 October 2015–3 January 2016

The core work in ‘Just Left of Copernicus’ is a large geodesic structure installed in VISUAL’s main gallery. This is a challenging space, but the work is big enough to successfully withstand compression by the room’s engulfing depth and volume. It is inspired by the work of Buckminster Fuller, a pioneering engineer/designer who patented geodesic building design in 1960 in an effort to achieve cheaper, faster and more efficient home building. McCann’s motivation for making this work seems ostensibly to come from nostalgia for the ‘modern’ period, when civil innovation was … Read the rest