Kūkā ʻia nā mea kākau i kono ʻia a me nā mea noʻonoʻo i ka mōʻaukala o ka DOUGLAS HYDE GALLERY MA KONA 40 ANNIVERSARY.
ʻO kēia kahi mana pōkole o kahi kamaʻilio lehulehu i mālama ʻia ma ka lā 17 Mei ma The Douglas Hyde Gallery, ma ke ʻano he mahele o ka papahana makahiki lōʻihi e hōʻailona ana i ka piha makahiki kanahā o ke kolamu. ʻO ka panela, alakaʻi ʻia e Caoimhín Mac Giolla Léith a hoʻolauna ʻia e ka luna DHg o kēia manawa ʻo Georgina Jackson, nā mea pena kiʻi i loaʻa nā hōʻike solo nui ma ka DHg. Lawe kēlā me kēia mea pena kiʻi i ka manawa kūpono e noʻonoʻo ai i ka mana nui i loaʻa i ka DHg i ko lākou pilina me nā hana noʻeau o kēia wā.
ʻO Georgina Jackson: Mālama ka Douglas Hyde Gallery i kahi wahi koʻikoʻi ma Dublin, ma ʻIlani a me ka honua. I ka wā e kamaʻilio ana ʻo Alice Maher e pili ana i kāna hōʻike solo nui mua ma aneʻi i ka makahiki 1994, i ka wā kamaliʻi o IMMA, ua wehewehe ʻo ia i ka DHg ma ke ʻano he wahi nui nui ma ʻIlani a me kahi papa hoʻolana no nā mea pena kiʻi āpau. Ua hele ka poʻe āpau ma laila, makemake ka poʻe āpau e hōʻike ma laila - he fulcrum o ka ikehu a me kahi wahi mana ". Ua puka mai ka hale hōʻikeʻike mai loko mai o ka pīhoihoi a me ka hoihoi o kekahi mea i kapa ʻia ʻo George Dawson, he polofesa o nā genetics ma Trinity, ka mea i ʻike i ke koʻikoʻi o nā mea pena kiʻi, a me nā mea noʻeau e pono ai i loko o nā ola o nā haumāna, Trinity College a ma ʻō aku. He hoʻolauleʻa kēia no 40 mau makahiki o ka DHg a me nā makahiki hou aku e hiki mai ana.
ʻO Caoimhín Mac Giolla Léith: He pili lōʻihi koʻu me ka Douglas Hyde Gallery, nona nā makahiki 17 ma ke ʻano he lālā o ka papa; no laila hele mua wau, e like me Methuselah a seanchaí, a e ʻōlelo i kekahi mau huaʻōlelo e pili ana i kaʻu mau hoʻomanaʻo ʻana i ka hale hōʻikeʻike. ʻIke maopopo ʻole wau me ka Douglas Hyde ma ke ʻano he wahi hōʻikeʻike i nā makahiki 1980 mua, ma ke ʻano he haumāna ma UCD. Ua huehue ka hoʻomanaʻo, akā kau ʻia e kahi hoʻomanaʻo hoʻomanaʻo nui o kahi hōʻike Ed Kienholz, 'Tableaux', i ka makahiki 1981.1 ʻO nā mea hoʻomanaʻo ʻē aʻe mai nā makahiki mua - nā makahiki ma mua o John Hutchinson, inā makemake ʻoe - hoʻokomo i ka hōʻike mua loa i lawe i koʻu hanu, i kahi ʻano kupaianaha maoli, no ka pālākiō o kona makemake: ʻO Anselm Kiefer's 'Jason a me nā Argonauts' hōʻike ma 1990, i ka manawa o Medb Ruane ma ka poʻo.2 ʻOi aku ka formative noʻu, ʻoiai wau e hoʻomaka nei e kākau e pili ana i nā mea noʻeau, kūloko i ka mua, kahi moʻo o nā hōʻike (i ka hoʻololi ʻana i loko o ka ʻumi a John Hutchinson.ure ma ke ʻano he alakaʻi o ka DHg) hōʻike kiʻi ʻana i nā kiʻi ʻIlani i nā makahiki 1980 - ʻehā a ʻelima mau hui i hoʻonohonoho ʻia me ke ʻano kumuhana. Akā ʻo kaʻu hōʻike hoʻomanaʻo nui loa o nā makahiki 90, kahi e loli ai ke ola, ʻo ia ka hōʻike 'Chlorosis' na Marlene Dumas ma 19943, aʻu e hoʻomanaʻo akāka nei no kekahi mau kumu. ʻO ka mea mua, ʻaʻohe oʻu mea i manaʻo ai. ʻAʻole wau i maopopo loa i kaʻu mea e hele nei, he lā hana nui ia, ua lohi wau e hālāwai me kekahi. Hoʻomaopopo maopopo wau i koʻu iho ʻana i ke alapiʻi, me ka hanu ʻole, e kala aku, e ʻimi ana i ka mea aʻu i lohi ai e hālāwai, ke loaʻa nei iā ia, e ʻōlelo ana i ke aloha a no ka nānā ʻana. A ma hope pono o aʻu ka ʻāpana inoa, kahi panakō nui o nā kaha wai ma ka pepa - kahi mea kākau inoa o Marlene Dumas i kēlā manawa a me kēia manawa - a me nā hana ʻē aʻe he nui i hoʻopūʻiwa loa iaʻu. ʻO ia ka hoʻomaka o kahi hoihoi lōʻihi i kā Marlene hana, e pili ana i nā mea aʻu i kākau ai i nā manawa he nui, a me kahi hoa aloha aʻu e waiwai ai.
I kēia manawa, i mea e hōʻike ai i kekahi manaʻo o ka holomua o ka mōʻaukala a i ʻole ka kronology, e noi ana wau i nā mea pena e ʻōlelo i ke ʻano a lākou i hōʻike ai i nā makahiki i hala.
ʻO Willie Doherty: Ua ʻelemakule wau e hoʻomanaʻo i ka DHg i kona wā ʻōpio. He haumāna noʻeau wau ma Belfast a manaʻo wau ua nui ka pīhoihoi e pili ana i ka hiki o kēia hale hōʻikeʻike hou i wehe ʻia ma Dublin, no ka mea aia kēia mau lā ma mua o IMMA. Manaʻo wau ua manaʻo ka honua honua he wahi maoli no kahi hale hōʻikeʻike kiʻi i hoʻolaʻa ʻia he koʻikoʻi, ʻoihana a he pilina kekahi, ʻaʻole wale me ke kūlanakauhale ʻo Dublin a me ke Kulanui ʻo Trinity, akā me nā koena o ka honua kekahi. No laila, aia nō kahi kekelē o ka pīhoihoi e pili ana i nā hōʻike ma ka DHg a me ka moemoeā a me ka laulā e kū ai ke kiʻi. Ua komo maoli wau i kahi hōʻike hui ma aneʻi i ka makahiki 1981 i kapa ʻia ʻo 'The Irish Exhibition of Living Art', aʻu e manaʻo nei ua hiki paha i kēlā me kēia mau makahiki ʻelua.4 Ua puka au mai ke kula kiʻi kiʻi ma Belfast i ke kauwela o 1981 a i koʻu pūʻiwa, ua ʻae lākou i kahi hana paʻi kiʻi nui aʻu i hana ai ma nā paneli ʻekolu a ʻehā paha. He mea nui loa ia no kahi mea pena kiʻi ʻōpio i haʻalele wale i ke kula ʻoihana, i kahi ʻāpana o ka hana i koho ʻia no kahi hōʻike ma aneʻi. E like me kēlā me kēia ʻōpio pena kiʻi, ke hana nei ʻoe mai kahi ʻike maka ʻole a me ka manaʻolana e loaʻa kahi hana i kahi. ʻO ka hōʻike solo mua aʻu i hana ai ma aneʻi ma 1993. ʻO ka hana aʻu i hana ai i kekahi mau ʻano i hoʻohālikelike ʻia e ka hoʻolālā o ke keʻena ponoʻī. ʻO kekahi o nā mea aʻu e makemake mau ai e pili ana i kēia hale hōʻikeʻike ʻo ia ʻoe e komo ai mai ke alanui a laila ʻike ʻoe i kēia ʻike mai ka pāpale i lalo i ka lewa. Manaʻo wau he kuanaʻike kū hoʻokahi ia - hoʻokele ʻoe i ka wahi mai kēia wahi komo ma luna. I kēlā manaʻo, hōʻike mau ka hakahaka i kahi mau pilikia no nā mea pena kiʻi. I loko o nā makahiki, ke ala i hoʻomaopopo ai kēlā me kēia luna i ke ākea e like me ka ulu ʻana o ka hakahaka. ʻO kekahi o nā hōʻike a John Hutchinson i mālama ʻia ma aneʻi i hōʻike maoli i ka ʻike maopopo o ka hōʻeuʻeu o kēia kuhikuhipuʻuone a me ka hoʻokomo ʻana i nā hana ma aneʻi maʻalahi maʻalahi, akā paʻakikī i ka manawa like. He wahi nui a ikaika loa ia naʻu, ma ke ʻano he mea pena kiʻi a me kahi mea kipa.
ʻO Willie Doherty he mau hōʻike hōʻike solo ma ka DHg i ka makahiki 1993 a ʻo ia hoʻi i ka makahiki 2008. He lālā papa ʻo ia i kēia manawa o ka hale hōʻikeʻike.
ʻO Gerard Byrne: No ka mea no Dublin wau, manaʻo wau he moʻolelo lōʻihi loa wau me ka hakahaka. Noʻu, kahi mea kikowaena o ka DHg holoʻokoʻa, e pili mau ana i nā hana ma ʻIlani me nā hana e kau ʻia ma nā wahi ʻē aʻe - manaʻo wau he hana nui maoli kēlā. ʻIke loa, he mea nui ka hōʻike Kiefer no ka mea he blockbuster ia 5, akā hoʻomanaʻo wau i ka hōʻike ʻo Bill Viola ma aneʻi a he mea nui maoli nō ia.6 Ua hele mai ʻo Viola ma ke ʻano he mea kipa kiʻi i NCAD. Ma muli o ka hana noʻeau media, manaʻo nui loa ia i kēlā manawa. He mau hoʻomanaʻo palpable hoʻi kaʻu no kā Cecily Brennan hōʻike ma aneʻi i nā makahiki 90 - nā kiʻi lanahu nui loa mai County Wicklow.7 Hoʻomaopopo wau i kahi hiʻohiʻona i ka Sunday Tribune ma Cecily Brennan. Kākau ʻia kahi mea pena kiʻi i loko o kahi nūpepa - he ʻano nui ia i ʻIlelani i kēlā manawa. ʻO ia ka manawa mua aʻu i hiki ai ke hana i ka pilina ma waena o ka ʻike ʻana i kekahi mea i kahi lumi hōʻikeʻike a me ka ʻike maoli ʻana i ka mea o kēlā mea pena kiʻi, ma ke ʻano he kanaka. Ua komo wau i ka hoʻokomo ʻana i nā hōʻike ma DHg a he ʻike maikaʻi kēlā. ʻO ka hōʻike mua a mākou i hoʻonohonoho ai, ʻo Jimmie Durham, kahi hōʻike kupaianaha i hele mai mai ka ICA ma Ladana.8 He nani wale ia - Aloha au i kāna hana mai ia manawa. ʻO kekahi mea hoʻomanaʻo ʻē aʻe ʻo ia ka 'Kalachakra Sand Mandala' i hana ʻia e nā mōneka Buddhist Tibet.9 ʻO kā Annie Fletcher kaʻu hōʻike ponoʻī i ka makahiki 2002. Ua hana kikoʻī wau i kahi kiʻi a Dorothy Walker no ka hōʻike, e like me kaʻu i ʻike ai iā Dorothy ma o kāna keiki ʻo Corban. ʻAʻole maopopo iaʻu he aha kaʻu kumu no ka hoʻokomo ʻana iā ia, koe wale nō i kamaʻilio ʻia i ka mōʻaukala o kēia wahi. Ua hana au i kahi hana, Nā nohona moekolohe hou. Ua paʻi kiʻi wau iā ia i ka hale kaulana ʻo Goulding Summerhouse ma Wicklow, i hoʻolālā ʻia e Ronnie Tallon o nā mea kālaiʻike ʻo Scott-Tallon-Walker. Ua pili ʻo Basil Goulding lāua ʻo Dorothy Walker i kekahi manawa i ka hana noʻeau ʻIlika, a puni ka manawa i hoʻokumu ʻia ai ka DHg ma nā 70 mau makahiki i hala. Ua hoihoi wau i kekahi ʻano o kēlā hōʻike i kaʻu hōʻike.
He hōʻike hoʻokahi ko Gerard Byrne, 'Herald a Press', ma ka DHg i ka makahiki 2002. Ua hōʻike ʻia kahi 'Visibility Matrix' na Sven Anderson lāua ʻo Byrne i ke kauwela o 2018.
Isabel Nolan: E like me Gerard, he nui koʻu mau pilina me kēia hakahaka. ʻAʻole wau a hiki i ka makahiki ʻekolu a ʻehā paha (i NCAD) i hoʻomaka wau e hele mau i aneʻi. Hoʻomaopopo wau ua haʻi aku ʻo Marlene Dumas i kahi kamaʻilio a he manawa phenomenal kēlā. Akā manaʻo wau aia nō ʻo ia ma kahi mamao loa, a ʻo kahi mea pena kiʻi me he mea lā ʻaʻole ia i pili maoli. Ma NCAD, ke kamaʻilio nei kēlā me kēia e pili ana i ka postmodernism, e hana ana i nā collage a me ka nānā ʻana iā Brit art. Nui a ʻino ka hoʻohenehene a puni i kēlā manawa a ʻike wau ʻaʻole hoihoi ia. Eia naʻe, ua hele wāwae wau i aneʻi i kekahi lā, ʻo wau wale nō ka mea i loko o kahi ākea a aia kahi hōʻike o kēia mau sulphurous, hoʻoweliweli, he mea ia iaʻu nā kiʻi nui loa e kēia kanaka ʻIrika i kapa ʻia ʻo Patrick Hall, a ua puhi ʻia wau a ʻo wau loaʻa i kēia ʻike maʻalahi loa he maikaʻi ʻole e noʻonoʻo e pili ana i ka make.10 Hoʻomaopopo wau i ka hōʻike 'The Messenger' a Bill Viola ka hōʻike mua aʻu i hoʻowahāwahā loa ai. Ua manaʻo wau ua loaʻa iaʻu kahi ʻano koʻikoʻi no ka mea hiki iaʻu ke inaina i kahi hōʻike. Ua hoʻohana wau i kahi manawa ma aneʻi he ʻenehana. ʻO ka nānā ʻana i nā mea pena kiʻi e hoʻouka i kā lākou hana, e hana ana i kahi manawa kikoʻī me hoʻokahi curator, a ke nānā nei i ke ala a John i hana ai me kēia mau ʻano ʻokoʻa āpau a me kā lākou hana ʻana i kēia wahi, kupanaha wale nō. E hele aku ia mai kekahi e like me Miroslaw Balka11, ʻo wai kēia bea nui nui o ke kāne, a ʻano mīkini hoʻi i kekahi ʻano, akā ʻo ke ʻano kikoʻī a kikoʻī hoʻi o kāna mau koi a puni ka hōʻoia ʻana i ka hōʻike pololei. A ma laila ʻo Koo Jeong-A, nāna kēia hōʻike i ʻano pohihihi lā, i kapa ʻia ʻo 'The Land of Ousss'.12 E kali wau i ka lā holoʻokoʻa iā ia e noi iaʻu e hana i kekahi mea a ʻaʻole pono ʻo ia iaʻu. A hele mai wau i ke kakahiaka aʻe a hoʻoneʻe ʻia kahi ʻōwili o Sellotape i hoʻokahi kapuaʻi. Hele ʻoe, auwē, ʻoi aku ka maikaʻi. Mike Nelson… puhi i koʻu manaʻo no ka mea hakahaka kēia wahi me nā kiʻi a puni nā paia a me kahi hoʻonohonoho holoʻokoʻa ma lalo o ke alapiʻi.13 No laila, ke ʻike aku i kēlā pae āpau o ka poʻe a nānā iā ia e wehe aʻe nei he mea kupaianaha loa ia. Ua noi ʻia mai wau e kākau i kekahi mea e pili ana i ka mea i hoʻohuli ʻia e ka mea pena kiʻi iaʻu. ʻIke ʻia, ma kekahi manawa a i ʻole kekahi, ua hōʻike ka hapa nui o lākou ma aneʻi. Noʻu, aia kekahi mea e pili ana i kēia ākea a me ka hoʻolālā ʻana, ʻokoʻa ka nui o nā hale hōʻikeʻike ʻē aʻe, i kēia ʻano kino kupaianaha a aia kekahi mea e pili ana i ka hele ʻana mai i aneʻi a hāʻawi iā ʻoe iho i ka lewa. He hale hōʻikeʻike kāu i pili ai i ke kino. A aia kekahi mea kūikawā e pili ana i ka hilinaʻi o ka DHg e hāʻawi nei i kahi mea paʻakikī a ʻano paʻakikī a ʻano hoihoi hoʻi. ʻAʻole wau e hoʻomau i ka hele.
Ua hōʻike ʻo Isabel Nolan iā 'The Paradise [29]' ma ka DHg i ka makahiki 2008, ʻoiai ʻo kāna hōʻike hōʻike solo, 'Calling on Gravity', i hōʻike ʻia ma 2017.
Mairead O'hEocha: He mea ʻakaʻaka kāu i ʻōlelo ai iā [Nelson's 'Tourist Hotel'. He hoʻomanaʻo poʻomanaʻo maoli kēlā naʻu, no ka mea ua huli ʻo ia i kahi ākea. Ua hele mai ʻoe i loko nei a aia kahi 'hōʻike wahaheʻe'. Ua iho ʻoe i hope a hina ʻoe i ka pouli. Aia nā ʻeke moe ʻino, nā pahu hoʻokūkū me ka mea ʻala i loko o lākou, nā moni, nā pale masima Disney. Aia nā kīwī kīwī me ka hau wale ke nānā aku nei iā ʻoe. ʻAʻole wau i hālāwai maoli me kahi hōʻike e lawe naʻauao ana i ka hakahaka. Ua hoʻonohonoho ʻo ia i kahi labyrinth o nā nīnau e pili ana i ka moʻomeheu, ka hakahaka a me ka politika i haʻalele iā ʻoe me ka hauʻoli a huikau. ʻO David Byrne's Pehea e hana ai ke mele e kamaʻilio e pili ana i ka hana i ka hope a me ka manaʻo o ka poʻe e pili ana i nā mea hoʻokani pila e kākau lākou, a ua hoʻokumu piha ʻia ke mele. Ua ʻōlelo ʻo ia ʻo ka ʻoiaʻiʻo he 180 kekelē mai kēlā. A noʻonoʻo mau ʻo ia i ka wahi ke hana ʻo ia. Hoʻomau ʻo ia i ka wehewehe ʻana i ke ʻano o ka mele ʻApelika, no ka mea, ua ulu a percussive ʻoiai e hoʻokani ʻia a lohe ʻia i waho, ʻoiai he mele lōʻihi loa nā mele mele a no ka hoʻolālā ʻana o nā hale pule, hoʻolōʻihi ʻia nā memo. Manaʻo wau he pili maoli kāna mea e ʻōlelo nei i nā hana noʻeau o kēia wā. ʻO kā Mike Nelson hana a kā kēia manaʻo o ka hana ʻana i kahi huli. E noʻonoʻo ana wau i kēlā, a pehea no ka hōʻike mua aʻu i loaʻa ai i ka hale hōʻikeʻike nui i hoʻomaka wau e hana i kēia pena nunui, ma ke ʻano he curveball i nā kiʻi liʻiliʻi. I ka hopena ʻaʻole wau i hoʻokomo maoli iā ia, akā pili ia i kēia manaʻo o ka hana ʻana i hope. I ka wā i loaʻa iaʻu ka hōʻike aʻe ma ka Hale Hōʻikeʻike 2, ua ʻike nui wau i ka wahi liʻiliʻi me ka ʻole o nā puka makani. Ua hana au i ʻehā mau pena pena kahi i loaʻa ai ke kumu kukui ponoʻī o kēlā me kēia pena, no laila lākou e hoʻomālamalama ai i ko lākou kukui ponoʻī - ke kukui uila, ke kukui uila, kahi ʻano o ke ao hallucinatory ʻO kēlā wahi, Hale Hōʻikeʻike 2, he mea hoihoi mau ia, no ka mea, he mea hoʻowahāwahā ʻia nā mea e pili ana i ke au i ka manawa nui - me he mea lā ua akāka ke kumu a me ka manaʻo ma hope ona. Ua makemake nui au i kēlā haunaele ʻano ʻē.
Ua hōʻike ʻo Mairead O'hEocha i nā hōʻike hui a me nā hanana ma ka DHg ma 2011 a me 2014.
Sam Keogh: E haʻi ana wau i kahi anecograp pōkole loa e pili ana i ka hōʻike ʻo Cathy Wilkes ma aneʻi i ka 2004.14 Ma kahi o 16 a i ʻole 17 a hele mai wau me kahi hui mai kaʻu kula kiʻekiʻe. ʻO kaʻu mau hoʻomanaʻo o kekahi o nā hana he ʻano smudged pū kekahi. Aia ka piko o kahi pahu holoi pēpē, he turquoise ia, a i koʻu noʻonoʻo, aia kekahi mau hua i hamo ʻia i ka pena a i ʻole shit - mea brown. Akā ke nānā nei i nā palapala e ola nei, ʻaʻohe mea ma luna. Aia nā kiʻi pena ma ka paia aʻu e hoʻomanaʻo ʻole ai, a aia kēia mau kiʻi semi-figurative, liʻiliʻi, i hana ʻia i ka lāʻau a me nā ʻāpana o ka hao, ma kēia ʻano kū hao. Aia lākou a pau ma ka papahele. Ua kāhili ʻia paha kekahi o lākou. A he kāmaʻa kāʻei ma ka papahele, kahi ʻano hoʻoweliweli i kēia mau mea lāʻau me ka lilo ʻana i wahī. ʻO ka mea nui aʻu e hoʻomanaʻo nei, ʻo ia ka hopena o kaʻu mau hoa papa. Aia kekahi pūʻulu ʻōpio i loko o kaʻu papa i hilinaʻi nui, a ʻaʻole wau - ua ʻāʻī loa wau. ʻAʻole lākou i makemake i ka manaʻo e nānā lākou i kēia mea a noʻonoʻo ʻo ia he mea noʻeau. ʻO kā lākou paranoia i hoʻohālikelike iaʻu e like me kēia ʻāpana mea i loko o kahi lumi ma koʻu ʻaoʻao. Ua noʻonoʻo wau aia paha i kekahi mea i kēia ʻoihana o ka hoʻonohonoho ʻana i nā mea i loko o kahi lumi, ʻo ia ka art. ʻO kaʻu ʻike mua ia o ka ʻike ʻana i kahi ʻōlelo ʻano ʻē e kolohe ʻia e kekahi, ua kaʻawale ia mai ke ala āu e kamaʻilio maʻamau ai i kekahi. Hilinaʻi wau iā ia ke hoʻāʻo nei e kamaʻilio i kahi mea kokoke hiki ʻole ke kamaʻilio. He mea ʻano ʻē a pīhoihoi kēlā e hōʻike ʻia. Pehea mākou e hana ai i kahi ʻōlelo hou?
ʻO kā Sam Keogh hana i hōʻike ʻia i ka hōʻike pūʻulu, 'Dukkha', ma ka DHg i ka makahiki 2014, ʻoiai ʻo kāna hōʻike solo 'Four Fold' i hōʻike ʻia i ka hale hōʻikeʻike ma 2015.
Sean Lynch: Makemake wau e hana i kahi kiko pane e pili ana i kahi ākea hiki ʻole ma aneʻi. ʻEhiku wale nō hola o ka lā e wehe ai. Nui nā hola o ka lā, pani ʻia ka hōʻikeʻike. Mahalo wau pehea e hana ai i kēlā manawa? I ka manawa pō, ke pani ʻia ka hale hōʻikeʻike, aia mākou a pau i nā wahi like ʻole. Hiki i nā lumi hale kiʻi maikaʻi ke pale i ko lākou kino. ʻIke lākou iā lākou iho i nā wahi like ʻole i nā manawa like ʻole i nā poʻo o ka poʻe, ke hoʻāʻo nei e kamaʻilio, i kekahi manawa ke kamaʻilio ʻia i ke kamaʻilio ʻana, a i ʻole ke noho ʻana ma ke ʻano he wahi hakahaka nui i kou poʻo pū, me ka hiki o nā ʻano kiʻi he nui. He ʻōpio loa wau e ʻike i ka hōʻike a Nicola Gordon-Bowe ma Harry Clarke ma aneʻi, no laila pono ʻo ia e haʻi iaʻu e pili ana i ia.15 ʻO kēia mau ʻano kikoʻī e kū nei - makemake wau i ka pehea a mākou e hoʻomaka ai e hoʻomaopopo iā lākou i ke kamaʻilio ʻana, ma mua a ma hope o ka hōʻike, pehea lākou e hoʻopili ai i nā kaiāulu, a pehea lākou e mālama ai i nā wahi e like me kēia ma ke ʻano he kikowaena. ʻIke ʻoe, ke hoʻopā nei ʻoe āpau i ka papa o ka Douglas Hyde Gallery i kēia manawa, e pili ana iā Trinity, e pili ana iā Dublin, e pili ana i ka ʻAkelanika, e hoʻopā ana iā Kina. Ma kekahi ʻano, hana mākou i kā mākou mea maoli mai kēia ʻiʻo o ka honua. ʻO ka hōʻike ʻana ma aneʻi i ka makahiki i hala he manawa hauʻoli loa iaʻu. Noho wau me koʻu ʻohana ma Vancouver a hoʻi mākou i Dublin no ka lōʻihi o ka hōʻike. Lilo wau i ka manawa he nui i ka hale hōʻikeʻike, ke kau pū nei me nā limahana ma aneʻi a he mea paʻakikī kēia i kekahi manawa, me kahi hōʻike. He manawa hauʻoli a maikaʻi loa koʻu me Rachel McIntyre e hana nei ma ka hōʻike. Ua kuhikuhi ʻo Michael Hill i nā kaha kiʻi a nā keiki āpau āu e ʻike ai ma ke kahua hōʻikeʻike, i hana ʻia e nā keiki ma nā huakaʻi kula. Aia lākou a pau ma aneʻi, ʻaʻole hūnā ʻia i nā ʻāpana like ʻole o ka pōhaku paʻa. I kekahi manawa ua hana ʻoe i kahi hōʻike a ua hala ʻoe i kekahi lā aʻe. Ua manaʻo wau i kahi ʻano kaiāulu nui loa ma aneʻi a he wahi hauʻoli loa ia.
Ua hōʻike ʻia ʻo 'A Walk Through Time' a me 'What Is An Apparatus' na Sean Lynch ma ka DHg ma 2017.
Ua hoʻokumu ʻia ka Douglas Hyde Gallery e ka Arts Council a me Trinity College Dublin a wehe ʻia ma ka 1 Malaki 1978.
Notes
1 Ed Kienholz, 'Tableaux 1961-79', 1981.
2 ʻO Anselm Kiefer, 'Jason a me nā Argonauts', 1990.
3 Marlene Dumas, 'Chlorosis', 1994; 'Hungry Ghosts' (hōʻike pūʻulu), 1998.
4 'Hōʻike ʻIlani o ka Art Living', 1978, 1980, 1981, 1984.
5 ʻO Anselm Kiefer, hōʻike hoʻokahi, 1990.
6 ʻO Bill Viola, hōʻike hoʻokahi, 1989.
7 ʻO Cecily Brennan, hōʻike hōʻike solo, 1991.
8 ʻO Jimmie Durham, hōʻike hōʻike solo, 1994.
9 Nā mōneka Buddhist Tibet, 'Kalachakra Sand Mandala', 1994.
10 ʻO Patrick Hall, 'Mountain', 1995.
11 ʻO Miroslaw Balka, 'Dig Dug Dug', 2002-03
12 Koo Jeong-A, 'The Land of Ousss', 2002.
13 ʻO Mike Nelson 'Hōkele Huakaʻi', 1999.
14 ʻO Cathy Wilkes, hōʻike hōʻike solo, 2004.
15 Harry Clarke, 'Retrospective', 1979.
Kiʻi kiʻi
Nā mōneka Buddhist Tibet, 'Kalachakra Sand Mandala', 1994; ʻoluʻolu kiʻi o ka Douglas Hyde Gallery.
ʻO Alice Maher 'Familiar', 1994; ʻoluʻolu kiʻi o ka Douglas Hyde Gallery.
ʻO Gerard Byrne 'Herald a i ʻole Press', 2002; ʻoluʻolu kiʻi o ka Douglas Hyde Gallery.
Kathy Prendergast, hōʻike hōʻikeʻike, 1996; ʻoluʻolu kiʻi o ka Douglas Hyde Gallery.
ʻO Cathy Wilkes, hōʻike hōʻike solo, 2004; ʻoluʻolu kiʻi o ka Douglas Hyde Gallery.
Sam Keogh 'Four Fold', 2015; ʻoluʻolu kiʻi o ka Douglas Hyde Gallery.
