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National Gallery of Ireland

Valuing Artistic Legacy

JOANNE LAWS REPORTS ON IVARO’S ARTISTS’ ESTATES CONFERENCE.1 A conference on the theme of managing artists’ estates was held at the Royal Hibernian Academy (RHA), Dublin, on 23 November 2017. The genuinely fascinating and pragmatic event was organised by the Irish Visual Artists Rights Organisation (IVARO) – Ireland’s copyright collecting society for visual artists2. In his opening address, Director of the RHA, Patrick Murphy, suggested that the Irish visual arts community urgently needs clarity regarding the legislation that surrounds artists’ estates. In the last year alone, five RHA members have passed away, raising pertinent questions about valuing cultural heritage and preserving artistic legacies. Since the mid-twentieth century, there has been

Hennessy Portrait Prize 2016

National Gallery of Ireland, Dublin, 26 November 2016 – 26 March 2017 There are 14 portraits in this exhibition of shortlisted works. Surrounding the viewer on all sides, in each one a lone figure is presented (why no couples or groups?) and this singular focus contributes to the sense we’re in the company of deities. There are also a lot of big heads, their presence dominating the small room at the top of the Millennium Wing’s forbidding stairs. Of course the figure of the artist is also present, directly in the self-portraits, or otherwise implicated. Open to artists in all disciplines, the shortlist consists mostly of paintings, nine in total,