Nīnau ʻo JAMES MERRIGAN no ke aha ka moekolohe a me ka ʻaoʻao ʻaʻole e ʻūlū 'i loko o ka ʻaoʻao ʻIlani.
Ke noʻonoʻo nui nei wau e pili ana i ka moekolohe i kēia manawa a me kona pilina i ka hana noʻeau. ʻO hoʻokahi kumu o ka nīnau a ka mea pena kiʻi ʻo Emma Haugh "Pehea mākou e noʻonoʻo ai i kahi ākea i hoʻolaʻa ʻia no ka hōʻike o ka makemake wahine?" i hāpai ʻia i loko o kāna hōʻike solo 'The Re-appropriation of Sensuality' ma Dublin's NCAD Gallery (kahi hoʻoponopono hoʻoponopono ʻia o ka script i hana ʻia i ka wā o ka hōʻike i hoʻokomo ʻia i ka Malaki / ʻApelila VAN).
ʻO kekahi kumu ke kiʻi e hiki mai ana ma ka mea pena ʻo Robert Mapplethorpe e ke kahawai kīwī ʻo ʻAmelika ʻo HBO. ʻO Mapplethorpe's 'smut art' (nā ʻōlelo a ka mea kākau ponoʻī) i hoʻokumu i kahi ʻino politika a me ka moʻomeheu i nā kūlanakauhale ʻAmelika o Wakinekona DC a me Cincinnati i ka hopena o 1980s / kakahiaka 1990s i ka wā i hoʻopuka ai kahi kiure nui i nā hoʻopiʻi hoʻopiʻi kūʻē i kahi ʻoihana noʻeau a me kāna alakaʻi no ka hōʻike ʻana i ka huakaʻi ʻana a Mapplethorpe. retrospective o 'nā kiʻi wahine'. Ua lanakila ʻo Art ma ka hopena, akā ʻo ka hoʻokolokolo a me ka hōʻike hōʻike i nīnau a nīnau i nā kuanaʻike e pili ana i nā lawena a me nā ʻano maikaʻi o nā hana noʻeau i mua o nā maka o ka lehulehu.
ʻO kēlā me kēia mea i loaʻa ka ʻike Mapplethorpe maʻa mau he moʻolelo Mapplethorpe e haʻi e pili ana i kahi pilikia o ka lehulehu. Hoʻomaka kaʻu moʻolelo Mapplethorpe me ka loea loea ʻo Dave Hickey, nona ka puke The Invisible Dragon aʻu i kau ai i kahi hui paʻi e like me kahi hiʻohiʻona aʻu e makemake ai e hoʻokō no kahi puke e hana nei wau i kēlā manawa. I loko o ka puke he nui nā hiʻohiʻona kikoʻī mai Mapplethorpe's X waihona. ʻAʻole wau i manaʻo he kiʻi pelapela nā kiʻi ma kahi pilikino, akā e hoʻokuʻu ana iā lākou i ka ether lehulehu a hemo iā lākou mai ka pōʻaiapili o nā hana noʻeau o kēia wā, me koʻu inoa ma ka ʻope i hoʻopaʻa ʻia iā lākou.
Hāpai ka nīnau o ka moekolohe a me ka censorship i ka mālama ʻia ʻana e ka ʻaha ʻāpana ʻo Banbridge o ka mea pena kiʻi ʻo Ursula Burke o ka moekolohe kāne ma kekahi o kāna mau kiʻi pena ʻāina Arcadian no kahi hōʻike i mālama ʻia e FE McWilliam Gallery, ma 2014. ʻAʻohe wahi o ka hoʻohālikelike ʻana i nā kiʻi hoʻonāukiuki a Mapplethorpe o ka hanana BDSM ma New York City me ka hana keaka lole impolite a Burke - nā mea āpau a lākou i hana ai ua hoʻonāukiuki ka lehulehu. ʻO ka mea aʻu e makemake ai e hōʻike (inā ʻaʻole ʻoe i ʻike mua) ʻo ia ka nani o nā wili kāne kāne i kāna ala ma o nā hiʻohiʻona aʻu i hoʻolako ai ma aneʻi. Akā kōkua kēia manaʻo unconscious a i ʻole ka likelike fluke i nā nīnau hoʻonāukiuki e pili ana i ka moekolohe a me nā pōʻaiapili e hoʻoulu ai, e ʻae a ʻae ai i ka hōʻike ʻana o ka moekolohe ma ke ʻano he art.
Inā ʻae mākou e ʻae iā ia, hoʻopau ʻia kā mākou moʻomeheu kiʻi āpau e nā manawa hilahila a makaʻu ʻole paha i ka moekolohe ʻana, a i ʻole nā kapu e pili ana, ke kumu o ko mākou hōʻoluʻolu ʻole. Pili ʻo Sigmund Freud i ke kumu kulana érotique e like me ka 'primal scene', ke hele ke keiki i ka moe kolohe ʻana o ko lākou mau mākua, a i ʻole ke wehe mākou i ke kuko a me ka makemake no ka mālama i ka noʻonoʻo, ke aloha.
Hoʻomaopopo wau i ka noho ʻoluʻolu ʻana i loko o kahi hale keaka haʻi pōʻele, 16 mau makahiki i hala aku nei, ʻoiai kahi mea haʻi ʻōlelo e pili ana iā Jeff Koons's Hana ʻia ma ka lani (1989 - 1991) moʻo o nā kiʻi hyperrealist a me nā kiʻi kālai. Hōʻike ka moʻo i ka hōkū Italia ʻo La Cicciolina e launa pū ana me Koons ma waena o kahi rococo everland maʻi ʻole.
ka i ka delicto flagrante ʻO ke kūlana holoʻokoʻa i hopu ʻia iaʻu ma ke ʻano he kāne ʻōpio i waena o ka hapanui wahine, keu hoʻi i ka ʻai ʻana o ka crotch a La Cicciolina i kuʻu maka. Akā ʻo ka ʻakaʻaka ʻana o kaʻu mau hoa wahine i ʻae iaʻu e hoʻopau i ka hewa Katolika o ka nānā ʻana i kēia 'papa kiʻekiʻe'. Ke nānā nei i loko o ko Koons manaʻo i loko o kēlā hale hōʻikeʻike pōʻeleʻele 16 mau makahiki i hala aku nei ua lilo mākou āpau i mau keiki giddy nāna i kauoha i ka cocktail poni me ka maopopo ʻole o ka mea i loko o ia mea, a i ʻole ka hopena o ka waiʻona ma luna o mākou ma hope.
Ke komo ka moekolohe i ka hale hōʻikeʻike, ʻoi aku ka liʻiliʻi o ka naif a ʻoi aku ka nui o nā mea pena kiʻi kiʻi e hōʻole iā ia, a ʻo ia ka hopena i kiʻi ʻia a kiʻi ʻia nā mea kiʻi kiʻi ʻino e like me nā moa a me nā ʻōpala akā lawe ʻia i ka naʻau a hūnā ʻia i ka naʻau i loko o kahi ʻāpana i hoʻopaʻa ʻia. Ma ke ʻano he mea kaha kiʻi makua e hana hewa mākou ma mua o ka pāʻani ʻana me ka manaʻo o ka moekolohe, a i ʻole hōʻike mākou i ka moekolohe ma ke ʻano he hana hewa. No ka ʻōpio a me ka naif, ʻike ʻole ka moekolohe mai ke aloha, aloha ʻole e ʻike ʻia mai ke kuko. ʻO ke kaulike ma waena o ka honua a me ka ʻoluʻolu, pilikino a me ka lehulehu, nā moa a me nā pua, e pāʻani i nā kiʻi o Mapplethorpe me ka hoʻokae ʻole.
Hoʻonāukiuki nā mea pena e like me Mapplethorpe i ka huaʻōlelo 'ʻono maikaʻi ʻole'. I loko o kahi loiloi mai 2013 mai ua kāhea wau i ka mea pena ʻo Alan Phelan (kahi mea kōkua i kēia pukana) no ka palaka waha a me ka moakaka no ka hoʻohana ʻana i ka huaʻōlelo 'HANDJOB' no ke poʻo inoa o kāna hōʻike solo ma Dublin's Oonagh Young Gallery. ʻO ka maʻamau maʻamau i ka honua art e waiho i ka waiwai i ka noʻonoʻo a me ka ambivalent i kāu ʻōlelo. E like me kā Susan Sontag kākau ʻana:
Ke kuhikuhi nei ʻo Sontag ma aneʻi i ka ʻōlelo noʻeau, ʻo ka hūnā ke ʻano o ka ʻono maikaʻi. Mālama mau ka ʻōlelo o ka hana noʻeau e hoʻololi i nā mea noʻeau i mea kiʻekiʻe, a i ʻole ironize iā lākou i ka leo o ka haʻahaʻa i ka hoʻāʻo e hoʻokiʻekiʻe iā lākou i luna. ʻO kēia nā haʻawina a mākou e aʻo ai i ke koleke ʻoihana ma ke ʻano he haumāna haumāna kiʻi: e hūnā a mālama i ko mākou akahai i mea e loli ai i ka pane sophisticated mai ka poʻe ʻike e makemake ana i nā mea e hoʻopaʻa inoa ma ka pae o ka implicit ma mua o ka moakaka.
I koʻu manaʻo ʻaʻole noho ka wahine i ka hale hōʻikeʻike e like me ka mea e pono ai no ka mea ulu wale mākou. ʻAe, loaʻa iā mākou kēlā mau mea pena kiʻi ʻōpio ʻōpio, nā Artists Young British, ka mea e hoʻomau nei i ka fetishise wahine i ka makahiki 40. A aia nā mea pena ʻAmelika ʻo Paul McCarthy a me ka mea i hala ʻo Mike Kelley, i like me ka 50-mea 'metaller' me ka T-shirt Sabati ʻeleʻele a me ka lauoho ʻelemakule-ʻīlio hina, i kekahi manawa, lili wau. Eia nō naʻe, ke ʻike a ʻike mākou i nā mea hou aʻe o ka honua a me kāna mau hewa huna ʻia e lilo mākou i mea hūnā e pili ana i kēlā mau ʻike a me nā ʻike. ʻO ke oʻo a me ka hanohano ka censor nui, akā hiki i ka naīveté ke hōʻino i ka waha no ka mea ʻike ʻole iā ia iho a me nā poʻe a puni.
Ke kuhikuhi nei i nā mea pena ʻo Renaissance a me nā pae hoʻomohala o ko lākou ʻike pilikino, ua helu ʻo Ernst Gombrich ʻo 23 ka makahiki i ka wā o ka pilikino pilikino i kāna sate frenzied nui loa. Ua hoʻokaʻawale ʻia ka 18 huikau i 20 a ʻelemakule paha makahiki XNUMX i kekahi haumāna o ke koleke ma waena o ka mea a ka psychologist Freudian ʻo Eric Erikson i ʻōlelo ai ʻo Ego Identity vs. Role Confusion and Intimacy vs. Isolation. He waha nō ia, akā he aha ka manaʻo maʻalahi o kēia no ka haumāna noʻeau ka hiki no ka nui o ka psychosocial a me ka psychosexual instability, nā mea pono maikaʻi loa, manaʻo wau, no ka hana ʻana i nā mea paʻi a pilau a ʻaʻala a puni. ʻO nā haumāna ʻōpio, a me nā mākua makua ʻole i ulu aʻe, aia ma kēlā keʻa ma ke ala ma waena o ka moekolohe ʻoihana ma ke ʻano he mea pena kiʻi a me ka manaʻolana o ke kūpaʻa moekolohe i kā lākou pili pilina me ka honua ʻē a me kāna mau mea.
I ke ʻano he cocktail wale nō mākou o ka naïveté ma ke ʻano he haumāna haumāna ʻōpio, e leʻaleʻa ana a me ke kui ʻana i nā manamana lima i nā mea noʻeau mai ka naʻaupō hauʻoli ʻole. Ma kahi pae primal he mau lima wale mākou a me ka lawaiʻa i kēlā makahiki, e ʻūlū nei i ka pouli me ka mālama ʻole, kahi pono wale no ka loaʻa a me ka makemake. Ma ke ʻano he mākua ke nānā aku wau i hope i kēlā naīveté, ka hopohopo o ka ʻike ʻole a me ke ʻoki wale ʻana, ma ke ʻano he waiwai ikaika i lilo i mea pena kiʻi, ma mua o ka manaʻo peʻe e aʻo wale nei mākou e lilo i mau mea pena kiʻi i ke koleke kiʻi.
I ka makahiki i hala aku nei ʻo ka hullabaloo holoʻokoʻa ma luna o ka haumāna Kula Nui ʻo Art and Design (NCAD) ʻo Shane Berkery, nona ka kiʻi pena olohelohe o ke alakaʻi NCAD o laila ʻo Professor Declan McGonigle, (i koʻu manaʻo) palupalu viscerally a me politika. ʻOiai i luna, hūnā ʻia i ke keʻena o ka hōʻike degere NCAD like, a ma lalo o ke alapiʻi ma Dublin Institute of Technology, ua loaʻa iā mākou ka 'cocktail pink' e kūkākūkā nei wau ma aneʻi i nā mea hoʻoweliweli a me nā lole ʻole na viscerally na Luke Byrne. (aka Luek Brungis) lāua ʻo Catherine Cullen. No nā kumu i hōʻike ʻia aʻe ma luna, ʻaʻole kūleʻa maoli kēia ʻano kiʻi ma ke ʻano he hana pena kiʻi kūpono i ka hōʻike kiʻi kiʻi Irelani.
Ma ke ʻano he loea loea nāna i loiloi i ka hanana kiʻi ʻIlani ma loko a ma waho i loko o nā makahiki ʻehiku i hala, ma hope o ka hoʻoponopono hou ʻana ma hope o ka haki ʻana ma hope o ka hana hou ʻana, ʻike wau i nā hōʻike kekelē laeoʻo makahiki i mea pale i ka ulu ʻana, ka ʻoihana a me ka conservatism e hoʻopiha ana i ka lehulehu a me kahi pilikino. pōʻaiapuni Aia kekahi mea e ʻōlelo ʻia, a laila, e pili ana i ka mea nui o nā koleke kiʻi i kēia mea. Me nā wahi hou aku e holo ʻia ana e ka mea pena kiʻi e hehi ʻia e kekahi wā ulu hou o gentrification ma Dublin, nā wahi kahi e ʻae ʻia ai nā mea noʻeau a ʻo ka visceral ke kuleana o nā koleke kiʻi e kiaʻi. ʻO ka mea nui loa, eia nō naʻe ke kuleana o ke aʻo ʻana i nā limahana i loko o kēlā mau koleke e hānai a waiwai i ka subversive, ka visceral a me nā mea kolohe,
ma mua o ka hoʻolei ʻia ʻana ma ke ʻano he keu ʻōpio wale nō.
ʻO James Merrigan kahi loea loea ma billionjournal.com.
Kiʻi: Dave Hickey, Ka deragona ʻike ʻole ʻia.
