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Collage

The Shape of Thought

JOANNE LAWS INTERVIEWS ALISON PILKINGTON ABOUT THE METHODS AND INFLUENCES UNDERPINNING HER CURRENT BODY OF WORK. JL: Your paintings seem to combine abstract, diagrammatic and figurative approaches. Are you conscious of having a particular aesthetic in mind, when you embark on a painting? AP: My aesthetic approach or painting style has evolved a lot over the last ten years or so, particularly since embarking on a practice-based PhD at NCAD, which I started in 2009 and completed in 2015. During this time, I made quite a deliberate break from gestural abstract painting. I think I felt the need to free myself up from a particular style of painting. It is

A Sense of Place / Fragmented Realities

Ards Arts Centre, Newtownards, 1 – 24 February 2018 A series of black and white digital photographs by Belfast-based artist, Mariusz Smiejek, was presented in the Georgian Gallery in Ards Arts Centre. The small-scale photographs depicted women within the natural and domestic landscapes of the Ards Peninsula. Strong tonal contrasts played a part in some of these images, whereas others had a softer tonal range. The depth of field also varied; sometimes Smiejek concentrated solely on the subject, while at other times the background was also depicted in detail. The artist explained: “I focus on the person rather than their surroundings, capturing the person rather than things”. That said, the