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Kilkenny

Sam Reveles ‘Poulaphouca: New Paintings & Works on Paper’

Butler Gallery, Kilkenny17 March – 12 May 2019 ‘Poulaphouca’ at the Butler Gallery is Sam Reveles’s first large-scale solo exhibition in Ireland. The fourteen works on display in the four adjoining galleries include Reveles’s most recent paintings and works on paper. The exhibition is a journey of an experience which demonstrates the development and shifts in Reveles’s work over the last few years. In the first gallery space, one of the artist’s earlier works, Cill Rialaig 2, is an elemental example of his previous ‘grey’ period. The paper is approached episodically; an underlay of grey wash is erased by a lattice of horizontal scratchy marks. This method of creating through

Black & White

Butler Gallery, Kilkenny, 13 January – 25 February 2018 Does a ‘feminine aesthetic’ exist? It’s a divisive hypothesis (and a possibly unanswerable question) that came to mind upon viewing Jane O’Malley’s exhibition, ‘Black & White’, at the Butler Gallery. The fifty pieces shown included several etchings and aquatint prints, as well as sketches in an array of media, including chalk, Conté crayon, pastel, oil, pen and ink. As the title implies, this body of work is monochromatic, although a couple of pieces display slight intrusions of yellow. O’Malley’s ease with her wide range of media is immediately apparent. Lines are loose, fluid and used sparingly but effectively. There is a pleasing

The Way Things Go: An Homage

The Butler Gallery, 12 August – 15 October 2017 Aideen Barry, Hannah Fitz, Atsushi Kaga, Nevan Lahart, Maggie Madden, Jonathan Mayhew, Caroline McCarthy, Isabel Nolan and Liam O’Callaghan Thirty years ago, Swiss artists Peter Fischli and David Weiss unveiled their influential work, The Way Things Go (1987) – a 30-minute 16mm video transfer film that documents the complex chain reactions of an ingenious Rube Goldberg-esque contraption built by the duo. The action takes place in a warehouse, where industrial detritus (including tyres, ladders, pipes, oil-soaked rags and chains) is used to create a sequence of cause-and-effect actions. Shifting mechanical levers and hypnotic balancing acts trigger sparks, fires and cycles of