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Matt Packer

Material Uncertainty

WITH NEWLY COMMISSIONED WORK FOR EVA INTERNATIONAL 2018 ON THE HORIZON, MATT PACKER SITS DOWN WITH JOHN RAINEY TO DISCUSS THE TRAJECTORY OF HIS SCULPTURAL PRACTICE. Matt Packer: Can you describe how your background in the medium of ceramics continues to inform your work? John Rainey: Production and imitation are aspects of the ceramic discipline that continue to be particularly important within my work. However, my curiosity about how things are made, and my compulsion to physically produce things, predates my training in ceramics. For me, processes and skills feel very enabling. I have a need to constantly examine and improve on this technical capacity, which is what drives me

Mind-Controlling Images

MATT PACKER AND ALISSA KLEIST DISCUSS ‘SCISSORS CUT PAPER WRAP STONE’, A TOURING EXHIBITION BY CCA DERRY-LONDONDERRY. LIKE many curators (and indeed, artists) we often develop ideas by thinking through references or historical incidences that have little to do with contemporary art from the outset. ‘Scissors Cut Paper Wrap Stone’ is a case in point: an exhibition that developed from our discovery of a science fiction novel written in 1994 by author Ian McDonald. The novel led us to understand a rich history of sci-fi produced in Northern Ireland, of which Ian McDonald is a part. He is one in a long line of authors dating back to the late