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Pádraig Spillane

Face Value

PÁDRAIG SPILLANE REPORTS FROM BERLIN’S TRANSMEDIALE FESTIVAL 2018 Transmediale Festival 2018: ‘Face Value’ took place from 31 January – 4 February at Haus der Kulturen der Welt, Berlin. Bearing name changes over its thirty years, transmediale continues to examine and advance understandings regarding how societies absorb technologies. This 31st edition employed the familiar blunt phrase ‘face value’ – the apparent or supposed worth of something – to position multifaceted assessments of relationships with technologies and the influence they have on current cultural and political trajectories. As stated on the festival’s website, transmediale 2018 aimed to “take stock of current affairs, to recognise things for what they are before saying how

Tactile Simulations

SARAH HAYDEN INTERVIEWS PÁDRAIG SPILLANE ABOUT THE TRAJECTORY OF HIS PRACTICE AND HIS RECENT EXHIBITION,  ‘WHAT PASSES BETWEEN US’, AT SIRIUS ARTS CENTRE. Sarah Hayden: For several years, your practice has tended towards three dimensions, and yet it maintains a preoccupation with surfaces. How do you conceive of this development and how does it interact with your interest in interrogating ‘depthless’, two-dimensional images? Pádraig Spillane: My interest in surfaces centres on how they can be reordered. This can involve searching the innards of materials, or cutting and tearing printed matter, to examine how things look and feel in proximity to each other. The images and objects I use – whether

What Passes Between Us

Sirius Arts Centre, 3 September – 15 October 2017 Pádraig Spillane’s exhibition of new work, ‘What Passes Between Us’, is presented across two galleries at Sirius Arts Centre. Four upright, mild-steel, modular frames, approximately adult height, stand in the centre of the floor in each space. A single sheet of clear PVC is cast across the top of one of the frames, while several wall-mounted digital prints complete the presentation. Two specially-commissioned electronic and vocal sound pieces – composed by Simon O’Connor and sung by Michelle O’Rourke – are transmitted into the galleries from speakers situated on the floor. The minimalist presentation suits these light-filled spaces. In the centre gallery,