ALAN PHELAN NAVIGATE GENDER IDENTITIES MA KA 2019 VENICE ART BIENNALE.
Ua wehe ka biennale i hoʻokahi pule ma mua o ka Eurovision. I nā ʻōlelo o ka kitsch nationalism a me ka politika-leo kuli, ʻaʻohe hiki ke hoʻohālikelike maikaʻi ʻia. Hiki i nā politika politika paʻakikī ke holoi ʻia i ka hana noʻeau - a i ʻole ka hoʻolaha ʻana o ka mākaʻikaʻi hiki ke loaʻa ka ʻoi aku ka ikaika ma mua o ke kiʻi - akā i kēia makahiki, ua hoʻonui ʻia kēia mau mea e nā leo wahine ikaika a i ʻole, ʻoi aku ka maikaʻi, nā hana i kūʻē i nā waiwai i ka ʻāina a lākou e pani ai a i ʻole ka kumuhana curatorial kahi a lākou i komo ai i loko. ʻO ka "hōʻike nui" e hoʻopili ana i nā "manaʻo nui" o ka lā hiki ke nalowale maʻalahi i loko o ke kūlanakauhale i litter ʻia me nā haneli haneli o nā hōʻike, nā hōʻike, nā papahana a me nā mea pena kiʻi e nānā ana - akā hana ia i nā helu hoʻomaka he nui.
I ka wā i hoʻomaka ai ka hoʻolaha ʻana e pili ana i ke kumukūʻai he 30 miliona o ko Christoph Büchel moku lawaiʻa i hānai ʻia, ʻO Barca Nostra, ua kūleʻa ka mea pena kiʻi i ka pāʻani ʻana i ka poʻe akamai. Ua kuapo ʻia ka ʻike i ka waha e ka ʻōhumu, a ukali ʻia e ka huhū o ka pono a me nā meme huhū. Ma ka hopena, ua ukali nā mea i loko o ka make o nā ʻatikala (e nānā i theartnewspaper.com no kahi hōʻike maikaʻi) akā ʻo ka makaʻaka ka mea lanakila maoli. ʻO kēia kahi ʻāpana o ka backstory, ʻoiai ia i nakinaki pono ʻia i loko o ke kumuhana a Rugoff, ʻoiai ʻaʻohe mea e ʻike ʻia - he nūhou ʻole kēia na ka hana.
Ma nā ʻano he nui, aia he 89+ mau hoʻāʻo pākahi i nā hōʻike maʻamau o ka hale hōʻikeʻike e hoʻokūkū ana i ka hōʻike nui no nā makahiki he biennale, ʻoiai he 79 mau mea kaha kiʻi i kēia paʻi ʻana, nui loa ia. Nui nā mea e wehewehe ai akā ua luku ʻia nā 'loiloi he ʻumi mau loiloi' e hana maikaʻi loa ana i kēlā hana. E loaʻa kahi hulina maʻalahi i nā papa inoa like ʻole - hiki iaʻu ke ʻōlelo aku iā artsy.net, domusweb.it, news.artnet.com, a me vogue.co.uk (e hōʻike ana i kahi ʻikepili ma nā mea pena kiʻi wahine ma ka biennale, kahi e loaʻa ai ʻo Eva Rothschild. , ʻo wai i kū ma Irelani).
Eia naʻe ka mea e hana maʻamau, ma waho o nā mea lanakila a me nā mea punahele, nā hiʻohiʻona i ʻike ʻole ʻia e kū i waho o ka hoʻolālā curatorial nui, e like me ka prevalence i kēia makahiki o ka hana kāne a me ka wahine, ka ʻepekema ʻepekema a me nā mele hulahula ma ke kūlanakauhale. Pono wau e hōʻoia, ʻo kēia nā ʻāpana o kaʻu kumuhana, i hoʻomaopopo ʻia e koʻu mau makemake ma ke ʻano he mea kaha kiʻi - nā hopena o kaʻu kānana kūloko e hoʻāʻo nei e pale aku i nā ʻūlapa pāholo o ka pule pule.

Manaʻo kekahi i kekahi manawa ʻo ke kuhi hewa wale nō ke ala e hoʻokele ai i ke kahawai. Nui ka lehulehu i ka pule kaomi a hiki ke pōkole ke ahonui a me ke ahonui. Akā ʻoiai he art kēia, alakaʻi hewa hewa kekahi mau mea pena kiʻi - e hana ana i kekahi mea, e ʻōlelo ana i kekahi a laila e paʻi ana i kahi ʻano manaʻo like ʻole. I kekahi manawa e ka hoʻolālā, i kekahi manawa ma ke kuhi hewa, ʻoiai ka mea paʻi paʻi a me ka lingo e paʻi ʻia ka paia ma waena o ka unuhi ʻōlelo, ka manaʻo kiʻi a me ka hyperbole. Koi ʻia nā mākau unuhi he nui. Hiki ke loaʻa nā wehewehe pōkole o nā hana āpau ma labiennale.org akā, ua hoʻokaʻawale ʻia ma waena o nā reps āpau a me ka hōʻike nui, a me nā uku uku uku e loaʻa ai a me nā papahana kūikawā.
No nā hōʻike aupuni, he nui ka hapa nui o nā makahiki ʻelua i ʻike ʻia a ma nā manawa he nui, kahi kiko a i ʻole ke piko o ka ʻoihana a ka mea pena kiʻi. He nui nā mea e loaʻa i kahi huaʻōlelo ʻike maka kiʻekiʻe a i ʻole i ke kiʻekiʻe o ko lākou kaulana, i alakaʻi ʻia ai i kēlā ʻano kūloko a me ka pavilion. ʻO nā laʻana maikaʻi mai ka Giardini's 'Empire Avenue' ʻo Palani, Great Britain a me Kelemania - Laure Prouvost, Cathy Wilkes a me Natascha Sadr Haghighian. Hāʻawi kēia mau mea pena kiʻi ʻekolu i nā hoʻonohonoho naʻau a me nā manaʻo o ka hoʻoneʻe a me ka nalo ʻana, kēlā me kēia papa kiʻi ʻokoʻa i nā papa ma o ka ʻike aupuni i kā lākou ʻano pūlima a me nā koi āpau i nā hana durational ʻokoʻa. Ua hana leʻaleʻa ʻo Provost i ka loli; Ua kaumaha ʻo Wilkes i ka home a ʻo Sadr Haghighian kekahi mea ʻē aʻe.
Ma waena o nā mea hiʻona a me nā mea hōʻikeʻike anti-anti, he mea paʻakikī loa nā mea ʻekolu a me nā hanana nuances o nā hana aila maikaʻi a haʻalele nā mea ʻekolu iaʻu i ka ʻikepili akā anuanu anuanu. Ua huki wau i ke mele hulahula i ka pavilion Korea ma kahi o, kahi kani kani techno paʻakikī e Siren Eun Young Jung i loko o kahi lumi hope, i kahi wikiō e hōʻike ana ʻehā mau mea e hana ana i ke kāne, ke kīnā a me ka DJing. Ua trite paha ia, akā ʻo ka hoʻoponopono maka aniani a me ka hui mele i hoʻoliʻiliʻi maikaʻi loa ia. ʻO kahi paʻi kūikawā o ka Harper's Bazaar Korea, e like me ka puke pai Monopl ma Kelemania, ʻaʻole i kōkua i kekahi nīnau nīele i loaʻa iaʻu, akā ua lilo ia i mea hoʻomanaʻo maikaʻi no ka moʻomeheu huahana blander e kākau nei i ka hapa nui o nā mea e hōʻike ʻia ma Venice.
ʻO nā hale pili kokoke loa o Kuikilana a me Sepania, he mau pūʻulu hui pū kekahi kā lākou, a pāʻani pū kekahi i nā mele wahine a me nā mele me kahi ʻano hulahula trickster. He paʻakikī e "hāʻawi" i ka moʻomeheu kūʻē i kahi ʻano bourgeois, akā hana ʻelua e wehe i ka bias heteronormative e noho aliʻi ʻē aʻe. No laila, i ka wā i kūleʻa ʻole ai ʻo Austria i ka hōʻailona o ke ola hou ʻana i kahi loea wahine, ma kahi kokoke i Brazil i ka hōʻike ʻana i kahi hōʻike ʻoi loa a maikaʻi loa. Ma ke ʻano hōʻole o ke aupuni Bolsonaro, ua hōʻike ʻo Bárbara Wagner lāua ʻo Beniamina de Burca i kahi hulahula kaua ghetto i hoʻohilahila ʻia, "hana ākea" me nā poʻe komo, e ʻimi ana i nā neʻe a Beyoncé e hoʻokuʻi i ka moʻomeheu pop, e lilo iā ia a "lawelawe" iā ia.

Ua kūleʻa ka ʻāpana me ka 'ʻoiaʻiʻo' i kahi ala i hiki ʻole ai iā Shu Lea Cheang ma Taiwan ke ʻākoakoa. ʻOiai kahi hana nui, paʻakikī a me kahi hoʻomoana, kahi hana e like me ka hana maoli ʻana o nā kākau a kurator Paul B. Preciado, e hoʻohele ana iā Foucault me kahi hōʻike wikiō panopticon i loko o ka hale paʻahao me nā kāne a me nā lawehala kolohe. ʻOkiʻoki akā aka hoʻomākeʻaka ia, akā kokoke loa i nā text like ʻO Testo Junkie. ʻO kahi mana ola o ka ʻāpana - me nā mea hana keaka ʻē aʻe, lawelawe ʻia me ka keke peni - ua ʻoi aku ka holomua, no laila i ʻōlelo ʻia e kahi hoa i hiki ke hele ma San Servolo, ka 'Mokupuni o ka Mad'.
Inā ʻoe i noho ma waena o Ladana a me Berlin i nā makahiki i hala iho nei, inā ua ʻike ʻoe i nā mea āpau, no laila i ʻōlelo ai kekahi hoa hana ʻē aʻe. Ma koʻu noho wale ʻana ma Dublin, he ala maikaʻi loa ka Arsenale a me Giardini Central Pavilion e loaʻa ai nā hana a Arthur Jafa, Kahil Joseph, Hito Steyrl, Teresa Margolles, Nicole Eisenman, Lawrence Abu Hamdan, Rosemarie Trokel a me nā mea hou aku. ʻO kēia mau hana he eclectic āpau loa e wehewehe a kūkā paha ma aneʻi, akā ʻo nā mea e pili ana i nā ʻaoʻao o ka hoʻoponopono kaiāulu a me ka politika kālaiʻāina ka mea ikaika. Ua hana ʻia nā poʻomanaʻo like me nā mea pena kiʻi ʻē aʻe e pili ana i nā robots, ka wai sauerkraut a me ka uē ʻo CGI, akā ʻaʻole holo pū kekahi.
Hana ʻia ka Science Fiction ma waena o nā makemake o AI o ka hōʻike nui, mai ka mea hoʻopunipuni Halil Altindere leʻaleʻa, a i ʻole Mars diorama nui na Dominique Gonzalez-Foerster, a i ka mea hanohano ʻo Larissa Sansour ma Denmark. A laila ʻo Stan Douglas; ʻoi aku ka maikaʻi o kāna ʻano kuapo-kuapo i kahi kiʻi B maikaʻi i hana ʻia, e nīnau pono ana i ka heihei ma kahi ākea. Ua ʻike ʻia ka hale pale Mekiko ma ke ʻano he huakaʻi hele manawa wanaʻao, hana hou ʻia ka Baibala, akā ʻaʻole ia ka manaʻo o ka mea pena kiʻi, ʻo Paul Vargas Lugo. Ua hana lōʻihi ʻo Larissa Sansour hana me ka loaʻa ʻana o nā moʻolelo like sci-Fi no ka hakakā Israeli-Palestinian, akā ʻo kāna kiʻi ʻoniʻoni no Denemaka i hoʻonāukiuki i kahi kamaʻilio lōʻihi pūnaewele me kahi hoaaloha, nāna i kuhikuhi ʻo ke kumumanaʻo eco-disaster he anti-Semitite maoli nō. ʻaʻole ka 'hoʻololi radical' i manaʻo ʻia e ka curator.
ʻO Charlotte Prodger kekahi o nā hōʻike hope loa aʻu i ʻike ai, ʻo ia ka mea i kū ma luna o Skotlandia. Ua hele mālie ʻia ke wikiō 39 a ʻo ka ʻaoʻao ʻē aʻe o ke kiʻi ʻoniʻoni 20 a Laure Prouvost i piha i ka loli. Māhele nā hana ʻelua i kahi mana o ka hilinaʻi iā ʻoe iho, kēlā ʻano hilinaʻi ponoʻī lehulehu i hoʻopiʻi ʻole ʻia me ka kānalua iā ia iho a me nā hanana diary, ka haʻahaʻa a me ka pili pono paha. E hoʻokuʻu nā kāmela iā lākou a puni ka nui a me nā poʻe a me nā wahi nui i loko o kā lākou moʻolelo. Ua hoʻomanaʻo mai iaʻu no ke aha i lanakila ai ʻo Lituania i ka Liona Gula, ʻoiai he ʻokoʻa ka hana a hoʻoholo i ka manawaleʻa. Ua alakaʻi lima ʻole ʻia ka poʻe hele kahakai mele, e hāʻawi ana i ka manaʻo e leʻaleʻa nei lākou i ko lākou lā i waho, e mele ana e pili ana i ke aniau a me ka hopena o ka honua. Malia paha ʻo ia ka hui pū ʻana o ka ʻāpana, mai ka hana ʻana a i ka hana, i hoʻihoʻi iaʻu i ka ʻoiaʻiʻo i hana ʻia no Brazil, e hāʻawi ana i kahi wili hou i ka mea ma hope o ka ʻoiaʻiʻo.
He mea kaha kiʻi ʻo Alan Phelan ma Dublin. ʻO kāna huakaʻi i Venice i uku kālā ʻia me ka accreditation press i hoʻonohonoho ʻia ma o VAI.
Hōʻike kiʻi
ʻO Bárbara Wagner & Benjamin de Burca, Swinguerra, 2019; ʻoluʻolu mau ke kiʻi ʻoniʻoni o nā mea pena kiʻi a me Fundação Bienal de São Paulo.