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‘MAKing Art: The PAINTing Exhibition’

Draíocht Arts Centre, Blanchardstown14 March – 18 May 2019 Immediacy, I’ve found, has always been an underlying characteristic of much contemporary painting. I’ve never tried to pull back the curtain of the canvas, in search of hidden meaning lurking beyond sight. Surely, I thought, there is no code to crack; what you see is what you get. However, this limiting preconception was unilaterally turned on its head by ‘MAKing Art:PAINTing’. Sitting with the paintings in this group exhibition – which includes work by Susan Connolly, Bridget Flannery, Geraldine O’Neill and Liz Rackard – I found nostalgia, warmth and physical engagement seeping out.  ‘MAKing Art:PAINTing’ is the second instalment in a

The Truth of the Encounter

JOANNE LAWS INTERVIEWS NICK MILLER ABOUT HIS PAINTING PRACTICE AND HIS CURRENT EXHIBITION IN LONDON. Joanne Laws: The term ‘Encounter Painting’ is commonly associated with your work. I guess this relates to things happening in your daily life and how you respond to them?  Nick Miller: Not really, it’s more formal than that. Back in 1988, still in my late-twenties, I had a kind of eureka moment about what art could be for me while on a residency in Dublin Zoo. I began to draw from life again, facing the otherness of animals in captivity. It became about meeting and holding contained energy through the act of drawing. It coincided

Theresa Nanigian ‘Just a bit extraordinary’

Highlanes Gallery, Drogheda 22 September – 3 November 2018 In the Highlanes Gallery, Theresa Nanigian presents a crowd-pleasing show, peppered with many different faces and voices, each expressing individual experience and cumulatively communicating a universal humanity that is a comfort to bask in. ‘Just a bit extraordinary’ is comprised of distinct parts that were previously presented individually in Limerick City Gallery and The LAB, Dublin. Three ‘chapters’ have now coalesced at the Highlanes, encompassing the artist’s exploration of “the expression of identity across the lifespan.” This ‘lifespan’ is predominantly represented through three photographic series: ‘not sorry’ documenting teenager’s unoccupied bedrooms (youth); ‘master of my universe’ featuring vendors on the Venice