Sarah Long reviews ‘See you tomorrow’ (2 May – 7 July) at Sirius Arts Centre, Cobh.
Sirius Arts Centre
BRENDA MOORE-MCCANN OUTLINES THE EXHIBITIONS AND PROJECTS TAKING PLACE NATIONWIDE TO CELEBRATE THE DIVERSE ARTISTIC CAREER OF BRIAN O’DOHERTY. Few would disagree that Brian O’Doherty/Patrick Ireland is one of the most distinguished and significant artists of his generation to come out of Ireland onto the international stage in the last fifty years. Born in Ballaghaderreen, County Roscommon, his influence is felt on both sides of the Atlantic since his (voluntary) exile to New York in 1957. His extraordinary career, which spans many disciplines and uses different heteronyms1, has been puzzling to some and inspirational to others. As a pioneering conceptual artist, he produced such seminal works as the first conceptual
Sirius Arts Centre, Cobh, 8 February – 1 April 2018 ‘Sustainable Futures’ is an ambitious exhibition currently showing at Sirius Arts Centre, Cobh, County Cork. The show acts as a focal point for a multifaceted collaborative project bringing contemporary art practice into dialogue with scientific research on sustainability, through a series of talks and events involving artists, the scientific community and local youth groups. Upon entering the East Gallery, the first thing we encounter is David Thomas Smith’s large-scale aerial photographs of the Chrysler factory and Silicon Valley, taken between 2009 and 2010. These are Google Map composites, developed using a meticulous process that works against the low quality of the
SARAH HAYDEN INTERVIEWS PÁDRAIG SPILLANE ABOUT THE TRAJECTORY OF HIS PRACTICE AND HIS RECENT EXHIBITION, ‘WHAT PASSES BETWEEN US’, AT SIRIUS ARTS CENTRE. Sarah Hayden: For several years, your practice has tended towards three dimensions, and yet it maintains a preoccupation with surfaces. How do you conceive of this development and how does it interact with your interest in interrogating ‘depthless’, two-dimensional images? Pádraig Spillane: My interest in surfaces centres on how they can be reordered. This can involve searching the innards of materials, or cutting and tearing printed matter, to examine how things look and feel in proximity to each other. The images and objects I use – whether
Sirius Arts Centre, 3 September – 15 October 2017 Pádraig Spillane’s exhibition of new work, ‘What Passes Between Us’, is presented across two galleries at Sirius Arts Centre. Four upright, mild-steel, modular frames, approximately adult height, stand in the centre of the floor in each space. A single sheet of clear PVC is cast across the top of one of the frames, while several wall-mounted digital prints complete the presentation. Two specially-commissioned electronic and vocal sound pieces – composed by Simon O’Connor and sung by Michelle O’Rourke – are transmitted into the galleries from speakers situated on the floor. The minimalist presentation suits these light-filled spaces. In the centre gallery,