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The Dock

The Shape of Thought

JOANNE LAWS INTERVIEWS ALISON PILKINGTON ABOUT THE METHODS AND INFLUENCES UNDERPINNING HER CURRENT BODY OF WORK. JL: Your paintings seem to combine abstract, diagrammatic and figurative approaches. Are you conscious of having a particular aesthetic in mind, when you embark on a painting? AP: My aesthetic approach or painting style has evolved a lot over the last ten years or so, particularly since embarking on a practice-based PhD at NCAD, which I started in 2009 and completed in 2015. During this time, I made quite a deliberate break from gestural abstract painting. I think I felt the need to free myself up from a particular style of painting. It is

Like Me

The Dock, Carrick-on-Shannon 10 February – 31 March 2018 Featuring: Alice Hanratty, Kian Benson Bailes and Eleanor McCaughey ‘Like Me’ is a show which demonstrates the continued relevance and vitality of painting and drawing. Amongst other things, the three artists explore relationships between two-dimensional artworks and architectural space, while art of the past acts as a source of joy and inspiration, rather than as a ‘dead hand’, stifling creativity. Alice Hanratty’s newly-commissioned work, Procession, is a frieze of head-and-shoulder profile portraits, based on Cinquecento paintings, such as Piero della Francesca’s The Duke and Duchess of Urbino (1467–72). The works, which form a continuous frieze around The Dock’s central hall, are

Now Came Still Evening On

John Coyle and Gary Coyle, The Dock, Carrick-on-Shannon, 10 September – 12 November   ‘Now Came Still Evening On’ is a unique exhibition presenting the work of father and son John and Gary Coyle. John’s intimate paintings occupy The Dock’s light and airy Gallery One while Gary has created a vast immersive installation in the largest of The Dock’s three galleries. John Coyle’s paintings and drawings depict scenes and people close to his studio and home. The works have a conciseness and authority clearly developed over a long career. They are reminiscent of the intimiste paintings of Vuillard and Bonnard, and of works by their more northerly descendants in Dublin and London.