JONATHAN CARROLL INTERVIEWS EVA ROTHSCHILD ABOUT REPRESENTING IRELAND AT THE 58TH VENICE BIENNALE. Jonathan Carroll: Your biography is the perfect antithesis of Brexit: you were born in Dublin; studied at University of Ulster, Belfast; live in London and have an MA from Goldsmiths; and you are being brought to Venice by Void Gallery in Derry, with a curator from Cork. Is it good timing for such a European endeavour? Eva Rothschild: We were not alone in being anxious about getting everything transported to Venice before the initial Brexit date. The Scottish, Welsh and British pavilions were all installing early, to avoid any difficulties. There is nothing in the show that
JOANNE LAWS INTERVIEWS NICK MILLER ABOUT HIS PAINTING PRACTICE AND HIS CURRENT EXHIBITION IN LONDON. Joanne Laws: The term ‘Encounter Painting’ is commonly associated with your work. I guess this relates to things happening in your daily life and how you respond to them? Nick Miller: Not really, it’s more formal than that. Back in 1988, still in my late-twenties, I had a kind of eureka moment about what art could be for me while on a residency in Dublin Zoo. I began to draw from life again, facing the otherness of animals in captivity. It became about meeting and holding contained energy through the act of drawing. It coincided
ALAN PHELAN TALKS TO MARY CREMIN ABOUT HER NEW ROLE AS DIRECTOR OF VOID, DERRY. Odd as it sounds, there is something slightly Scandinavian about Derry. Maybe it’s post-conflict Northern Ireland and the almost socialist democratic prosperity that peace has brought to the region. Industry may not have taken off just yet, but public services appear to be well-funded. The abundance of cultural centres is also mirrored by a bemusing abundance of hair salons – something that is comparable with Helsinki. Perhaps the harsh northerly climate brings with it serious approaches to both art and hair care. Derry’s various galleries inhabit historic spaces, yet have a very contemporary outlook that
Gallery of Photography, September 9 – October 22 The result of the 2016 British referendum on the future of European Union membership has brought about a new era of social and political anxiety regarding the border between the Republic and Northern Ireland. ‘Brexit’ is a neologism that has been mobilised by ultra-conservative politicians and sections of the British media alike, to portray what was in reality a marginal ‘yes vote’, as the inevitable political expression of the zeitgeist of British isolationism and nationalism. On the island of Ireland, Brexit has resurrected the spectre of the border which has haunted Irish politics for nearly a century. Kate Nolan’s exhibition ‘Lacuna’ at
March 2nd is the fast approaching date for the next set of Stormont elections. We recently wrote to all the main political parties asking about their policies for the arts. We also collated existing published information and researched new manifestos to come up with this list of party positions towards the arts in Northern Ireland. This email was sent to all the main political parties standing in the March 2nd 2017 Assembly elections.
VAI is an all Ireland body, which means that Brexit will have a clear impact on us and on all arts organisations across the island who operate either across the border or ROI collaborations with UK organisations, festivals and events. The unfortunate truth is that the fallout from the vote has already happened. The fall in Sterling has had a direct impact on organisations such as ours that receive funding from Northern Ireland. Around 19% of our funding comes from the Arts Council of Northern Ireland and through our membership in Northern Ireland. With the collapse of the Sterling against the Euro this has now been reduced to around 13%.