CHRIS HAYES TALKS TO GRACE WEIR ABOUT HER CURRENT EXHIBITION AT THE INSTITUTE OF PHYSICS, LONDON. Fight with Cudgels (c.1820–23) is a painting by Francisco Goya that depicts two men duelling, and with each step, slowing sinking further into the mud below them. Their supposed opposition is a misreading; their struggle is not between two distinct forces, but a situation which they create together and for each other. “With every move they make,” wrote French philosopher Michel Serres, “they are gradually burying themselves together.” The image appealed to Serres as a metaphor for a relationship between two things, in this instance, that of people and the threat of climate
Millennium Court Arts Centre, Portadown2 November 2018 – 23 January 2019 The current exhibition, ‘MANMADE’, at Millennium Court Arts Centre, features the work of several artists examining marine debris, coral life and metaphors of irrevocable danger carried by the sea, based on increasing levels of human pollution that threaten the oceanic ecosystem. The centre has developed an accompanying public programme, comprising a range of outreach activities, aimed at promoting environmental consciousness. This agenda acts to both serve and subvert the curatorial theme: collectively the artworks explore this subject and its associated materials, yet the conceptual integrity of the exhibition is undermined, in its framing as some sort of awareness campaign.