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The miniVAN
From gritty urban graffiti to abstract surrealism, The miniVAN deftly navigates the ever-evolving artistic landscape, reflecting the pulse of modern culture.

Inspired by the pioneering spirit of Visual Artists News Sheet, The miniVAN sets out to redefine the landscape of contemporary art, providing a comprehensive platform for both established artists and emerging talents. As we honour the roots of the past, we fervently embrace the spirit of change, envisioning a future where art continues to inspire and challenge the human experience.

Packed with captivating features, exclusive interviews, and thought-provoking editorials, each issue of The miniVAN is a collectible art piece in itself. Readers can expect insider insights, behind-the-scenes anecdotes, and a celebration of the unsung heroes shaping the artistic zeitgeist.

The visionary team behind The miniVAN comprises renowned art writers, respected artists and curators, and passionate creatives dedicated to curating an enriching experience for readers and artists alike.

The miniVAN invites you to embark on an extraordinary journey that transcends the boundaries of imagination. Whether you’re an art aficionado, a budding artist, or simply curious about the transformative power of visual expression, The miniVAN promises to ignite your passion and broaden your horizons, bringing you from the inside of an artist’s studio to the wide realm of creative practices that exist outside of how we think of visual art.

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London

5 posts

Rituals of Care

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JOYCE CRONIN INTERVIEWS LAURA NÍ FHLAIBHÍN ABOUT HER RECENT EXHIBITION IN LONDON.  Laura Ní Fhlaibhín sifts stories, materials and traces associated with site, memory, myth, narratives of care and the casting of spells, creating complex but pithy material scenarios. These may incorporate condensed sculptural images, mineral deposits, instructional texts and formal gatherings of elements that serve also as ritual artefacts. Her recent body of work examines the nurturing relationship between her cousin Róisín, a teenager with autism, and Róisín’s horse, Rockie. Joyce Cronin: I was first introduced to your work at your recent solo exhibition, ‘Roisín, Silver, Rockie’ at Palfrey Gallery in London (22 January – 22 February). Can you…
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Critique: Lauren Gault ‘C I T H R A’

Gasworks, London23 January – 22 March 2020 ‘C I T H R A’ is an exhibition of new work by Belfast-born and Glasgow-based artist, Lauren Gault. This is Gault’s first solo exhibition in London, showcasing installations that both revisits and further exploits the artist’s key approaches and concerns, which revolve around the use of unorthodox techniques and a wide variety of materials. The show emerges out of research undertaken by Gault during a residency at Gasworks in spring 2019. A key starting point came from a publication held in the British Library, a long forgotten science-fiction novel, The Men of Mars (1907), by Martha Craig, a relative of Gault’s. Craig…
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Critique: ‘Scaffold’

The Bomb Factory Art Foundation, London23 October – 3 November 2019 You don’t need me to recap the stories – the promise of the internet turned sour – but perhaps it was always heading that way? What began as a research project by the US military, in the heat of the Cold War, has metastasised into an elaborate, sophisticated surveillance network. The mainstream news is littered with reports of data mining, privacy violations, election hacking, and workers’ rights being deleted. Suddenly the internet is everywhere, inescapable and bad for us…  Over the last decade, the response from artists to a looming dystopia, shaped by tech giants and gurus, has typically…
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Time Tries All Things
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Time Tries all Things

CHRIS HAYES TALKS TO GRACE WEIR ABOUT HER CURRENT EXHIBITION AT THE INSTITUTE OF PHYSICS, LONDON.   Fight with Cudgels (c.1820–23) is a painting by Francisco Goya that depicts two men duelling, and with each step, slowing sinking further into the mud below them. Their supposed opposition is a misreading; their struggle is not between two distinct forces, but a situation which they create together and for each other. “With every move they make,” wrote French philosopher Michel Serres, “they are gradually burying themselves together.” The image appealed to Serres as a metaphor for a relationship between two things, in this instance, that of people and the threat of climate…
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Leo Boyd ‘Welcome to the Simulation’

Atom Gallery, London 5 – 26 May 2018 There is an immediate urgency to ideas surrounding the digital – whether in terms of its technological capabilities, the dark underbelly of its culture, or in its increasing influence across political and economic spheres. It feels definitive of the present moment in a way that is all-consuming, whilst also being difficult to fully articulate. Belfast-based street artist and printmaker Leo Boyd wrestles with the philosophical questions posed by artificial intelligence, by taking influence from the work of Swedish philosopher Nick Bostrom. Are we living in a computer simulation? Perhaps life as we know it is nothing but fragments of data on some…
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