Tag: sound art

A Geography of Sound

JOANNE LAWS PROFILES SOUND ART AT THE 58TH VENICE ART BIENNALE.

The 58th Venice Art Biennale 2019 makes great strides in averting criticism of previous editions by delivering a roughly equal gender balance, while featuring only living artists. This significant gesture is further augmented by a strong representation of younger artists, manifesting slick new media and interdisciplinary practices. Deviating from past iterations, curator Ralph Rugoff has assembled dual exhibitions across the two main spaces – an effective presentation strategy that allows each of the 79 artists to reveal multiple strands of their practice, while creating more memorable dialogue between the … Read the rest

Good Listeners

CHRISTOPHER STEENSON INTERVIEWS DANNY MCCARTHY AND MICK O’SHEA ABOUT THEIR SERIES OF NEW RELEASES, WHICH EMERGED OUT OF THEIR PARTICIPATION IN THE ROBERT RAUSCHENBERG RESIDENCY.

Christopher Steenson: How did you both come to be invited to participate in the Robert Rauschenberg Residency on Captiva Island in Florida?

Danny McCarthy: An American artist, who was sitting on the selection panel for the Rauschenberg Residency, recommended us. You cannot apply to go on the residency, as it’s by invitation only. I knew we were to be invited on an American residency, but when this arrived in my inbox it was like winning … Read the rest

Ronnie Hughes & Evgeniya Martirosyan ‘Outflow’

126 Artist-Run Gallery, Galway
16 – 29 July 2018

‘Outflow’, a two-person show at 126 Artist-Run Gallery, was one of the highlights of this year’s contemporary art offerings at the Galway International Arts Festival. It was a thoughtful and considered pairing of two very different artists, curated with sensitivity by Stephan Roche. The intricate, puzzle-like, abstract paintings of Ronnie Hughes were teamed with Evgeniya Martirosyan’s sculptural mechanisms and enigmatic film. The two bodies of work both contrasted and complemented each other, each presenting different interpretations on themes of accumulation, pattern and system theories.

Numerous abstract figures and forms populate Hughes’s … Read the rest

Justine McDonnell ‘A composition of she’

Golden Thread Gallery, Belfast
19 July – 25 August 2018

Bare interior.
Protruding grey stage.
Stage set in darkness.
Curtains drawn.

     Centre left of stage, she stands, faintly lit, from close-up and below
     She is enveloped from head to foot in black.
     Behind She, the Other emerges out of darkness.
     Motionless off stage three Narrators stand, facing directly across from the stage.
     They face front, without deviation, throughout.
     An invisible microphone sits beneath each mouth.
     Their speech is prompted by a pronounced breath.
     Each voice toneless, except where an expression is indicated.
     Tempo varies throughout.

The curtain rises, the stage Read the rest

Sounding Out

CHRISTOPHER STEENSON REPORTS ON SONORITIES FESTIVAL – AN EXPERIMENTAL MUSIC AND SOUND ART FESTIVAL THAT TOOK PLACE IN BELFAST FROM 17 TO 22 APRIL.

If someone asked you where they might find a week-long, international festival dedicated to the latest developments in experimental music and sound art, you might recommend somewhere like Berlin. But since 1981, when Sonorities was founded at Queen’s University (QUB) as a “festival of twentieth century music”, Belfast has been just the place for an exploration of all things sonic. This year’s Sonorities Festival, which featured artists from over 40 countries, made a conscious effort to … Read the rest

Tactile Simulations

SARAH HAYDEN INTERVIEWS PÁDRAIG SPILLANE ABOUT THE TRAJECTORY OF HIS PRACTICE AND HIS RECENT EXHIBITION,  ‘WHAT PASSES BETWEEN US’, AT SIRIUS ARTS CENTRE.

Sarah Hayden: For several years, your practice has tended towards three dimensions, and yet it maintains a preoccupation with surfaces. How do you conceive of this development and how does it interact with your interest in interrogating ‘depthless’, two-dimensional images?

Pádraig Spillane: My interest in surfaces centres on how they can be reordered. This can involve searching the innards of materials, or cutting and tearing printed matter, to examine how things look and feel in proximity to … Read the rest

What Passes Between Us

Sirius Arts Centre, 3 September – 15 October 2017

Pádraig Spillane’s exhibition of new work, ‘What Passes Between Us’, is presented across two galleries at Sirius Arts Centre. Four upright, mild-steel, modular frames, approximately adult height, stand in the centre of the floor in each space. A single sheet of clear PVC is cast across the top of one of the frames, while several wall-mounted digital prints complete the presentation. Two specially-commissioned electronic and vocal sound pieces – composed by Simon O’Connor and sung by Michelle O’Rourke – are transmitted into the galleries from speakers situated on the floor.

The Read the rest