CCA Derry~Londonderry 11 August – 12 October 2018 ‘Lavish and Judicious’ is a multivalent and complex exhibition, presented across the three gallery spaces at CCA and featuring work by four female artists: Aideen Doran, Jaana Kokko, Jennifer Trouton and Caroline Achaintre. There are essentially six artworks in the exhibition, including a single-channel film installation and sound installation. According to the exhibition statement, these works speak to “the overlaps between the historical, the ethnological, landscape and colonialism” and how these forces can be “mapped to contemporary systems of production”. The exhibition’s starting point is Sion Mills, a model village and linen mill in County Tyrone, established by the Herdman family in
The MAC, Belfast 10 August – 21 October 2018 So often, when artists reach a certain level of recognition, when the money rolls in and they are showered with very large budgets to play with, their integrity melts into air. They find themselves driven by the market, their hard-fought methods and concepts diluted by the establishment that supports them. Happily, Phil Collins is a rare exception to this rule and this show at the MAC provides evidence of his continued growth over the years. The centrepiece of ‘This is the Day’ is the hour-long film, Ceremony (2017), commemorating the Russian Revolution. It tells the story of Collins’ relocation of a
Douglas Hyde Gallery, Dublin 19 September – 17 November 2018 Shot on a Hi8 video camera in Seamus Harahan’s familiar, bare-bones style, the film at the heart of this exhibition is presented as an episodic, fragmented documentary, displayed across an array of antique monitors and makeshift screens. With a miscellany of other objects scattered around the gallery space – an old paperback of Knut Hamsun’s Hunger, an enamelled teapot, a Sleaford Mods record – the ramshackle installation feels a little like a car-boot sale. Fancier notes are provided by a copy of a famous tapestry, which functions as a kind of backdrop and a single Eames aluminium chair.1 Less fancy
Ormston House, Limerick 7 – 27 September 2018 Having spent almost an hour visiting the exhibition, ‘Museum of Mythological Water Beasts’ (curated by Mary Conlon and Niamh Brown) I was happily joined by my international colleague, Mat Rappaport, a Chicago-based artist and curator who was holidaying in Ireland. Mat had given a riveting talk on his practice in LSAD the previous day and was keen to explore the vibrant Limerick art scene he had heard about in the States. We walked around the exhibition together and later discussed the merits of the show, which had captured our joint imagination, if for somewhat different reasons. I particularly enjoyed the exhibition’s accumulative
Gallery of Modern Art, Waterford 8 – 26 March 2018 The French novelist, Gustave Flaubert, an exponent of literary realism, once stated that “the artist must be in his work as God is in creation, invisible and all-powerful; one must sense him everywhere, but never see him”1. Anthony Mackey’s first solo exhibition accomplished this with consummate skill. His site-specific installation for GOMA employed various mediums and artistic methods to explore social issues of the marginalised community in which he lives and works. The mixed media installation – comprising drawings, printmaking and video – was presented across two gallery spaces, with local people being an integral element. No titles, details, pricelist,
Marina Abramovic, Sonja Alhäuser, Domestic Godless, Elif Erkan, Fiona Hallinan, Siobhan McGibbon, Abigail O’Brien, Thomas Rentmeister, Neil Shawcross, Glucksman Gallery, Cork, 25 November 2016 – 19 March 2017 THIS exhibition, curated by Professor John Cryan, Chris Clarke and Fiona Kearney, draws on research by Cryan and colleagues at the Anatomy and Neuroscience department of UCC, in order to “explore how digestion relates to our mental and emotional states”.
Alice Burns, Charissa Martin, Elaine McGinn, George Robb, Paula Clarke, Stephanie Harrison, Arts and Disability Forum, Belfast, 2 – 22 January 2017 The work of six recipients of the Arts Council of Northern Ireland’s Individual Disabled/Deaf Artists (iDA) grant scheme comes together in ‘Guest 2’, a thought-provoking and challenging exhibition curated by artist Colin Darke at the Arts and Disability Forum Gallery. The exhibition space on Belfast’s Royal Avenue is modest but well-executed, benefitting from large windows and glass walls, which flood the space with natural daylight and create an attractive setting in which to consider the work of this diverse range of artists, whose practices encompass printmaking, photography, glasswork, video
Mark Garry, Luan Gallery, Athlone, 11 February – 22 April 2017 The Luan Gallery appears to float over the River Shannon like a perfectly formed geometric ice block. The site and architecture of the building allude to fusion between natural and environmental conditions – concerns that are further elaborated in Mark Garry’s ‘An Afterwards’, currently installed across the Luan’s gracious exhibition spaces. A native of County Westmeath, Garry often spent time in Athlone as a child, and this exhibition presents new works that attempt to forge connections between kinship and place. The cool intensity of Garry’s diverse body of work – which includes lithographs, oil paintings, video and Giclée digital prints –