Tag: Film

Revenue Commissioners Announce New Regulations for The Regional Film Development Uplift

Revenue Commissioners have announced new film regulations aimed at supporting broader regional development of the audio-visual sector in Ireland.

The Regional Film Development Uplift, announced as part of Budget 2019, will be available to productions being substantially undertaken in “assisted regions” which means areas designated as such under the regional aid map.

In addition, to qualify for the relief, producer companies will be required to show that training and skills development opportunities are provided to individuals habitually resident in the area and that such training will address a skills deficit in the area. The regional uplift will be phased out … Read the rest

Lismore Castle Arts

PAUL MCAREE DISCUSSES THE EVOLUTION OF LISMORE CASTLE ARTS AND INTERVIEWS NIAMH O’MALLEY, WHOSE EXHIBITION IS CURRENTLY SHOWING IN ST CARTHAGE HALL.  

Lismore Castle Arts (LCA), a not-for-profit gallery, was founded in 2005 in Lismore, County Waterford. We are committed to the presentation of contemporary art across two separate exhibition venues. The main gallery space within Lismore Castle hosts one major exhibition of international art per year. In 2011, a second venue opened in St Carthage Hall – a former Victorian church hall in the heart of Lismore town – which presents a diverse programme of contemporary Irish and … Read the rest

Synontic State

ÁINE PHILLIPS REFLECTS ON TULCA FESTIVAL OF VISUAL ARTS 2018, CURATED BY LINDA SHEVLIN.

A person in complete accord with their environment is described as being in a ‘syntonic state’. Curated by Linda Shevlin, this year’s edition of TULCA Festival of Visual Arts in Galway examined this concept. The artists, thinkers and writers assembled by Shevlin offered different perspectives on this theme, generating various possibilities for viewers to attain syntonic experiences through art.

A vibrant example of human and environmental accord was created on the opening night by Aoibheann Greenan with The Life of Riley. Taking the form of … Read the rest

Dream Analysis

PÁDRAIC E. MOORE INTERVIEWS IRISH ARTIST DOIREANN O’MALLEY ABOUT HER RECENT SOLO EXHIBITION AT DUBLIN CITY GALLERY THE HUGH LANE.

Pádraic E. Moore: Before we discuss your recent work, perhaps you can offer some insights into your background?

Doireann O’Malley: I was born in Limerick and lived there until the age of nine, returning in 1999 to study Sculpture and Combined Media at Limerick School of Art & Design. Gerard Byrne, who has been a formative influence on my practice, was teaching there at the time. After this, I completed an MA at the Belfast School of Art, studying under … Read the rest

Productive Friction

KEVIN BURNS REVIEWS THE FOURTH AND FINAL INSTALMENT OF VAI’S NEW SPACES EXHIBITION PROGRAMME IN DERRY.

It’s about four in the afternoon: I’ve just bothered someone in an office to buzz me up to the first floor; I ascend a grand Georgian staircase, lined with Rothko posters; I wait while they switch everything on; and now I’m watching a stage eat itself. There are four metal scaffolds with stage lighting, mirrored in quadrants, cyclically contracting then expanding, like industrial foliate. Out of the corner of my eye, I notice that a progress bar has appeared at the top of the … Read the rest

‘Infrastructures of Now’

NCAD Gallery, Dublin
21 September – 30 November 2018

The glass modernist façade of the NCAD Gallery may be considered a portal into the machine itself. To function, this machine depends on an engaged, creative, intellectual exchange between students, researchers, lecturers and artists, who are in turn inherently dependent on the infrastructures and resources the machine affords them. ‘Infrastructures of Now’, curated by Anne Kelly, interrogates this interdependency, critically addressing questions of autonomy, institutional expectations and the technical methodologies and languages engaged by the contemporary practitioners it frames. The works featured in this exhibition have at some point – either … Read the rest

Ronnie Hughes & Evgeniya Martirosyan ‘Outflow’

126 Artist-Run Gallery, Galway
16 – 29 July 2018

‘Outflow’, a two-person show at 126 Artist-Run Gallery, was one of the highlights of this year’s contemporary art offerings at the Galway International Arts Festival. It was a thoughtful and considered pairing of two very different artists, curated with sensitivity by Stephan Roche. The intricate, puzzle-like, abstract paintings of Ronnie Hughes were teamed with Evgeniya Martirosyan’s sculptural mechanisms and enigmatic film. The two bodies of work both contrasted and complemented each other, each presenting different interpretations on themes of accumulation, pattern and system theories.

Numerous abstract figures and forms populate Hughes’s … Read the rest

University of the World

PÁDRAIC E. MOORE INTERVIEWS VIVIENNE DICK ABOUT HER FRIENDSHIP WITH NAN GOLDIN AND THEIR CURRENT EXHIBITIONS AT IMMA.

Pádraic E. Moore: Your exhibition ‘93% STARDUST’ runs concurrently with Nan Goldin’s ‘Weekend Plans’ at the Irish Museum of Modern Art (IMMA). Perhaps we can discuss the milieu yourself and Nan once shared and the parallels between your work?

Vivienne Dick: I met Nan just after she arrived in New York. We hung out together throughout my time in the city and shared several interests, particularly music. There are parallels in our early work – we were always aware of that, … Read the rest

Colourless Green Ideas Sleep Furiously

Project Arts Centre, Dublin, 21 April – 17 June 2017

‘Colourless Green Ideas Sleep Furiously’ sounds like nonsense, and it is – a phrase coined by Noam Chomsky to be grammatically correct but semantically all over the place. In this ambitious exhibition curated by David Upton, five geographically diverse art practices explore ideas of transient or un-locatable meaning via their own un-locatable objects, objects rendered by impressions and residues, and images deviating between fact and fiction, movement and stasis. A story in the exhibition booklet describes the fate of Byzantine icons bought at a Turkish Bazaar in the 1920’s. Eventually … Read the rest

Into the Gravelly Ground

Janine Davidson, Mermaid Arts Centre, Bray, 9 June – 8 July 2017

Janine Davidson’s ‘Into the gravelly ground’ centres on an unusual site at Turlough Hill, County Wicklow. Here, embedded amidst scenic walks, is Ireland’s only pumped hydro-electricity plant. The film work 53012762459 features this structure, its interior and exterior, its machinery and technology. Also depicted is another reservoir at this same location: Lough Nahanagan, which was formed during the Ice Age. Designed to impinge as little as possible upon the environment, the plant’s main station is buried out of sight behind the mountain. In Davidson’s 22-minute film, the structure … Read the rest