Katherine Nolan, MART, Dublin, 2 – 31 March 2017 KATHERINE Nolan is a performance artist whose work focuses on her body and her image as sites of investigation into the representation and construction of femininity. Her recent series of performances, The Mistress of the Mantle, held at MART, Rathmines, were based on the artist’s experience of returning to Ireland after 10 years in London. She found that the reality of moving ‘home’ was not quite the return to the fold that she had anticipated. Unexpectedly, this transition marked her symbolic arrival at the precipice of adulthood. Time away and dislocation from Ireland imposed a disruption of the rites of passage between
Jonathan Mayhew, Wexford Arts Centre, 27 February – 25 March 2017 [Infinite Jest] can’t be read at a crowded cafe, or with a child on one’s lap. Dave Eggers WINNER of the 2015 Emerging Visual Artist Award, Jonathan Mayhew is one of those artists whose work requires a space where you can hear a pin drop. Wexford Art Centre (WAC) is not that space. Perhaps Mayhew’s exhibition of new work would have fared better in the attention stakes during the recession, when such regional art centres were empty saloons in ghostly Westworlds. During my visit, the endless stream of visitors to the cafe and the hoofing of piano peddles with woohooing
SUSAN MACWILLIAM DISCUSSES HER TOURING SURVEY EXHIBITION ‘MODERN EXPERIMENTS’, WHICH WILL HAVE SHOWN AT F.E. MCWILLIAM GALLERY, THE HIGHLANES GALLERY, UILLIN: WEST CORK ARTS CENTRE AND THE BUTLER GALLERY BY THE END OF 2017. It’s a strange experience when works come back after an absence, materialising from their coffin-like crates or emerging into the light after a decade or more in darkness and obscurity. A survey show feels like a form of mediumship. Past worlds collide in the present. These worlds are made by me, fabricated in the studio by different versions of myself at different stages of my life. Some works ‘know’ other works, while others meet for the
Marina Abramovic, Sonja Alhäuser, Domestic Godless, Elif Erkan, Fiona Hallinan, Siobhan McGibbon, Abigail O’Brien, Thomas Rentmeister, Neil Shawcross, Glucksman Gallery, Cork, 25 November 2016 – 19 March 2017 THIS exhibition, curated by Professor John Cryan, Chris Clarke and Fiona Kearney, draws on research by Cryan and colleagues at the Anatomy and Neuroscience department of UCC, in order to “explore how digestion relates to our mental and emotional states”.
Alice Burns, Charissa Martin, Elaine McGinn, George Robb, Paula Clarke, Stephanie Harrison, Arts and Disability Forum, Belfast, 2 – 22 January 2017 The work of six recipients of the Arts Council of Northern Ireland’s Individual Disabled/Deaf Artists (iDA) grant scheme comes together in ‘Guest 2’, a thought-provoking and challenging exhibition curated by artist Colin Darke at the Arts and Disability Forum Gallery. The exhibition space on Belfast’s Royal Avenue is modest but well-executed, benefitting from large windows and glass walls, which flood the space with natural daylight and create an attractive setting in which to consider the work of this diverse range of artists, whose practices encompass printmaking, photography, glasswork, video
Mark Garry, Luan Gallery, Athlone, 11 February – 22 April 2017 The Luan Gallery appears to float over the River Shannon like a perfectly formed geometric ice block. The site and architecture of the building allude to fusion between natural and environmental conditions – concerns that are further elaborated in Mark Garry’s ‘An Afterwards’, currently installed across the Luan’s gracious exhibition spaces. A native of County Westmeath, Garry often spent time in Athlone as a child, and this exhibition presents new works that attempt to forge connections between kinship and place. The cool intensity of Garry’s diverse body of work – which includes lithographs, oil paintings, video and Giclée digital prints –
Tom Climent, Eamon Colman, William Crozier, Neal Greig, Eilís O’Connell, Peter Martin, James McCreary, Michael Ray, Conor Walton, Catherine Hammond Gallery, Skibbereen, County Cork, 9 September – 19 October The stated aim of this group exhibition was to explore and interpret the idea and theme ‘Glow’, visually echoing the shift from late summer into autumn, whether experienced as a continuous radiant beam from a light source, the result of energy produced by vibrating electric colours or, contrastingly, through the gentle light of changing luminosity. Eamon Colman’s two large oils on paper, Seeking refuge, the green earth turned towards the river and Morning swim by the Sultan’s tower introduce a strong